《赎罪》的弗洛伊德式研究

发布时间：2018-01-02 10:05

本文关键词：《赎罪》的弗洛伊德式研究　出处：《河北师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：伊恩·麦克尤恩是英国当前最具影响力的作家之一。他于1948年出生在汉普郡的奥尔德肖特。他写过许多作品而且有些作品获过许多奖项。他的许多作品他善于使用细腻而犀利的文笔勾绘现代人的各种不安以及恐惧。他主要探讨暴力、爱欲、善与恶以及死亡，这使得他的作品的内容非常离奇古怪。他通常探讨性对人的主导还有由于性欲而使人性产生的扭曲，《赎罪》就是这样一部作品。虽然不同的评论家从不同的角度对此小说进行广泛研究，但是很少有人用弗洛伊德的理论对之进行研究。本文旨在用弗洛伊德的人格理论对《赎罪》中的不同人物进行分析，从而使我们深刻了解保持人格平衡的重要性。由于以前的研究没有对人物的人格进行足够深入研究，这使得论文的选题有其必要性。除了引言和结论，本篇论文包括三章。第一章讨论了塞西莉亚的自我的主导地位。尽管她也追求爱情（她的本我）以及完美（她的超我），但是她过多地关注自己外在的平静（她的自我），这导致了她的爱情悲剧。第二章集中论述罗比的超我占据了主导地位。正如塞西莉亚一样，在他内心深处，他也追求爱情（他的本我），但是他举止得体（他的自我）。由于他的超我处于统治地位，他按照超我严格地要求自己——按照自己的良心行事，这是他的爱情失败的起因，，从而使得他不能与他心爱的女孩相爱。第三章重点分析了布里奥妮的本我的主导地位。在其他人眼中，她是一个有才华的小女孩儿(她的自我)，因为她从小就发挥自己的想象力，比如她曾写过戏剧。同时她也追求完美和正义，那是她的超我。她对自己要求很严格并试图达到超我的要求。但更重要的是她具有丰富的想象力，而且她的报复心很强（她的本我），这使得她犯了一个要用一生来弥补却不可挽回的错误。通过分析，我们知道保持本我、自我和超我的平衡的重要性。如果太过于注重本我，我们可能犯下不可饶恕的错误；如果像罗比一样太过于关注自己的超我，那我们可能会失去本来应有的东西；如果自我占据了主导地位，那么我们也不会很幸福。而只有将三者平衡，我们才能够过上幸福的生活。
[Abstract]:Ian McEwan is one of the most influential writers in England today. He was born on 1948 in Oldshort, Hampshire. He has written many works and won many awards. Many of his works have won him many awards. He is good at using delicate and sharp writing to draw up all kinds of uneasiness and fear of modern people. He mainly discusses violence. Love, good and evil, and death make the content of his works very bizarre. He usually discusses the dominance of sex over people and the distortion of human nature caused by sexual desire. "Atonement" is one such work. Although the novel has been extensively studied by different critics from different angles, it is rarely studied with Freud's theory. The purpose of this paper is to use Freud's personality theory to analyze the different characters in Atonement. So that we can deeply understand the importance of maintaining personality balance, because the previous studies did not do a thorough study of the personality of the characters, which makes it necessary to choose the topic of this paper. In addition to the introduction and conclusions, this thesis consists of three chapters. The first chapter discusses Cecilia's dominant position in the ego, although she also pursues love (her ego) and perfection (her superego). But she paid too much attention to her external calmness (her ego), which led to her love tragedy. Chapter two focuses on the dominant role of Robbie's superego, who, like Cecilia, pursues love (his ego) in the depths of his heart. But he behaves well (his ego. Because his superego is in a dominant position, he strictly demands himself according to superego-acting according to his conscience, which is the cause of his love failure. So that he could not fall in love with the girl he loved. The third chapter focuses on the dominant role of Britney's ego. In the eyes of others, she is a talented little girl (her ego) because she has used her imagination since she was a child. For example, she has written plays. She also pursues perfection and justice, which is her superego. She is strict with herself and tries to achieve superego. But more importantly, she has a lot of imagination. And her vengeance was so strong that she made an irrevocable mistake that would take her a lifetime to make up for. Through analysis, we know the importance of maintaining the balance between the ego, the ego and the superego. If we pay too much attention to the ego, we may make unforgivable mistakes; If, like Robbie, we focus too much on our superego, we may lose what we ought to be; If the self dominates, then we will not be very happy, but only by balancing the three, we can lead a happy life.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074

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