创作理论视域下《爵士乐》之解读

发布时间：2018-01-03 23:00

本文关键词：创作理论视域下《爵士乐》之解读　出处：《湖南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：《爵士乐》是托尼·莫里森的第六部小说,是一部记录黑人在城市化进程中创伤经历的作品。不过,反映黑人的创伤并不是莫里森的最终目的,她要探寻的是如何帮助黑人走出创伤。尽管评论家们已经开始注意到《爵士乐》中人物的创伤与安全空间的缺失有关,但是他们并没有进行系统性的研究。本文基于创伤理论,从多个层面对小说人物的创伤进行研究,涉及安全空间和身份寻求两方面。同时,本文更注重对莫里森关于创伤恢复观点的研究。本论文分为三个部分：引言,论文主体部分和结语。论文主体部分由三个章节构成。第一章详细阐述了维奥利特和多卡丝这两个女性人物所经历的创伤。她们创伤的根源可以归结为安全空间的缺失。安全空间是指一个可以让人找到安全感的空间或状态,这对于黑人女性来说是一个至关重要的因素。而这两个女性人物安全空间的缺失很大程度上是由于母爱的缺失。第二章以乔和戈尔登·格雷为例详细分析了由身份危机引发的创伤。从心理学上来说,小说中乔和戈尔登·格雷寻找父母的行为可以被视为他们对自己身份的寻求。当他们无法确认自己身份的时候,他们就表现出明显的创伤症状。第三章探求了美国黑人创伤恢复的途径。莫里森表明了交流在创伤恢复过程中重要性。通过爵士乐音乐和人物间的对话,小说人物们开始回忆自己的创伤经历,并逐步缓解和治愈他们的心理创伤。结语部分对《爵士乐》中的创伤与恢复进行了更深层次的探讨,重申了家庭和社区中人与人之间纽带的力量。
[Abstract]:Jazz is Tony Morrison ' s sixth novel , a work that records blacks ' traumatic experiences in the course of urbanization . However , it ' s not Morrison ' s ultimate aim to explore how to help blacks get out of the trauma . Although critics have begun to notice the trauma of the characters in jazz jazz to the lack of safety space , they do not systematically study . In this paper , based on trauma theory , the trauma of fictional characters is studied from multiple levels , involving safety space and identity seeking . At the same time , this paper focuses on the study of Morrison ' s point of view of trauma recovery . This thesis is divided into three parts : introduction , main part of the thesis and conclusion . The main part of the thesis consists of three chapters . The first chapter describes the trauma of the two female characters , which is the lack of safe space . The safety space refers to the space or state that can make people find the sense of safety . This is a crucial factor for the black women . The lack of safety space of these two women is largely due to the lack of maternal love . The second chapter analyzes the trauma caused by the identity crisis , taking Joe and Gorden Gray as an example . In psychology , Joe and Gorden Gray in the novel look for parents ' behavior as their quest for their identity . When they can ' t confirm their identity , they show obvious traumatic symptoms . The third chapter explores the path of American black trauma recovery . Morrison shows the importance of communication in the course of trauma recovery . Through dialogue between jazz music and characters , novel characters begin to recall their traumatic experiences and gradually alleviate and cure their psychological trauma . The conclusion part has a deeper discussion on the wound and recovery in jazz jazz , and reiterates the strength of the ties between the family and the community .

【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074

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