恐惧之源——《心是孤独的猎手》的“阈限空间”阐释

发布时间：2018-01-13 14:17

本文关键词：恐惧之源——《心是孤独的猎手》的“阈限空间”阐释　出处：《国外文学》2015年02期 　论文类型：期刊论文

【摘要】：美国南方女作家卡森·麦卡勒斯向来关注时间与空间问题。在她的长篇小说处女作《心是孤独的猎手》中,"恐惧感"贯穿作品始终,但恐惧之源却无处可寻,令人困惑不已。在这部小说中,通过真实与想象的互动与转换,麦卡勒斯建构了"既不在此亦不在彼"的"阈限空间"。作者借助镜子、里屋与外屋等一系列的阈限空间意象,将时间空间化,以空间叙事的形式打破了"时间性的万能叙事"的窠臼,展示了美国南方社会边缘人群的普遍生存状态。阈限空间的体验是生存体验的内在形式,麦卡勒斯对阈限空间的关注也是她对美国南方社会中"他者"的生存困境与身份认同问题的探询。为此,本文找到了恐惧之源:恐惧直接关乎空间,它与空间的关联更甚于时间。
[Abstract]:Southern American writer Carson ers has always been concerned about the time and space. In her debut novel "the heart is a lonely hunter", "fear" throughout the work is always the source of fear, but they were nowhere to be found, it is confused. In this novel, through the interaction and transformation of reality and imagination, McCullers constructed "neither here nor in the other" "liminal space". The author uses the mirror, the outer door and the inner space of a series of images such as the threshold, the time and space, space in the narrative form to break the "time of the universal narrative" pattern, shows the general living condition of the population in the south edge of the society. Liminal space experience is the internal form of survival experience, McCullers of liminal space concern is she to the South American community of the "other" living dilemma and identity exploration. Therefore, this paper found The source of fear is that fear is directly related to space, which is more associated with space than time.

【作者单位】：浙江大学世界文学与比较文学研究所;杭州电子科技大学外国语学院;
【基金】：浙江省哲学社会科学规划一般课题“‘他者’视域下的卡森·麦卡勒斯小说研究”(项目号:13NDJC134YB) 浙江省社会科学界联合会重点研究课题“卡森·麦卡勒斯小说的‘他者’形象研究”(项目号:2012Z66)的阶段性成果
【分类号】：I712.074
【正文快照】： 美国南方女作家卡森·麦卡勒斯(CarsonMc Cullers,1917-1967)向来关注时间与空间问题。她在诗歌《当我们迷失时》(“WhenWe Are Lost”,1952)中写道:“恐惧。它关乎空间,还是时间?/抑或是这两个构想的合谋伎俩?”1在她的长篇小说处女作《心是孤独的猎手》(The Heart Is a Lone

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