论福楼拜《情感教育》创作风格的现代性

发布时间：2018-03-04 21:26

本文选题：《情感教育》　切入点：福楼拜　出处：《山东师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：作为从十九世纪现实主义文学向现代主义文学风格转变的代表性作家，福楼拜的《情感教育》是最能体现其创作风格现代性的一部小说，在这部小说中福楼拜将本人对于文学艺术创作思考和探索融入作品文本创作。也许是因为福楼拜《包法利夫人》的光芒太过耀眼，学界对于《情感教育》这部最能体现福楼拜创作风格现代性的作品的研究和发掘却相对缺乏。本文从三部分论述《情感教育》创作风格的现代性：首先，从人物角度来说，作者不再刻意塑造一个典型的人物性格，，而是用文笔的手术刀直接切入人的灵魂深处，不仅剖析出存在于人自身普遍而永久的愚蠢和失败特征；而且其笔端开始触及人自身的“灵”与“肉”之间不可调和的矛盾。作品中的主要人物弗雷德里克已经开始意识到生活的无聊与乏味，生命呈现出一种灰色而沉闷的色调。其次，在小说结构上，福楼拜打破了传统作家使用的以情节为基础的单维结构方式，而是将文本整体切割成无明显因果联系的场景片段；读者在阅读中不再被环环相扣的故事情节所吸引，更多看到的是无处不在的各种咖啡馆、餐馆、画室等地点，有几个人或一群人参与的聚会，以及情人之间约会。作者将镜头拉伸到生活的细部，细节在整个小说文本中大放异彩：在细节的处理方面，作者不仅力求“精确性”，而且将自己的艺术个性融入其中，创造出一种现代意义上的真实感。最后，在叙事方面，作者对于传统小说中上帝式“全知全能”的叙述方式进行了大胆的革新：有限视角的运用使小说的叙事更加客观、真实；扮演无所不知上帝角色的作者在文本中消失，福楼拜巧妙的使用了文本之间的“跳跃”和“空白”的叙事技巧，制造出叙述上的“中断”，这样的叙述方式不仅丰富了小说的文本内涵，而且拓宽了读者想象和思考的空间，从而达到一种“无声胜有声”的艺术效果。
[Abstract]:As a representative writer who changed from realistic literature to modernist literary style in 19th century, Flaubert's emotional Education is a novel which can best reflect the modernity of his writing style. In this novel, Flaubert integrates his thinking and exploration of literary and artistic creation into the text creation. Perhaps it is because Flaubert's "Mrs. Bovary" is too bright. However, there is a relatively lack of research and exploration in the field of emotional Education, which embodies the modernity of Flaubert's creative style. This paper discusses the modernity of the writing style of "emotion Education" from three parts: first, from the perspective of characters, the author no longer deliberately molds a typical character character, but cuts directly into the soul of people with a scalpel in writing. Not only analyze the common and permanent characteristics of stupidity and failure that exist in people themselves; And the pen began to touch on the irreconcilable contradiction between "spirit" and "flesh". Frederick, the main character in his work, had begun to realize the boredom and boredom of life. Life presents a gray and dull tone. Secondly, in the novel structure, Flaubert breaks the one-dimensional structure based on plot used by the traditional writers, but cuts the text into scenes with no obvious causal link. Readers are no longer attracted by the interlocking storylines in their reading, but rather by the ubiquitous variety of cafes, restaurants, studios, parties attended by a few people or a group of people. And dating between lovers. The author stretched the lens into the details of life, and the details were brilliant throughout the novel: in the handling of detail, the author sought not only to be "precise", but also to incorporate his artistic personality into it. Finally, in the narrative aspect, the author has carried on the bold innovation to the traditional novel "all-knowing omnipotence" narrative way: the use of the limited angle of view makes the novel narration more objective and true; The author, who plays the role of omniscient God, disappears in the text, and Flaubert cleverly uses the narrative techniques of "jumping" and "blank" between the texts. It not only enriches the text connotation of the novel, but also widens the space for readers to imagine and think, thus achieving an artistic effect of "silence is better than sound".
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.074

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