孙昌涉1950年代短篇小说的叙事空间研究

发布时间：2018-03-18 12:07

本文选题：孙昌涉　切入点：叙事空间　出处：《吉林大学》2013年硕士论文　论文类型：学位论文

【摘要】：1950年代是韩国历史上的一个最黑暗的时期。经历那场朝鲜战争，韩国社会变成了一片废墟，人们生活在水深火热之中。加上存在主义、虚无主义为中心的西方思想意识的大量流入，韩国社会蔓延着人为什么活，人怎么活等问题包括在内的形而上学的思考。在这样的历史条件中，孙昌涉把人们至于黑暗、无望的生活空间中，着重描写他们的悲惨生活，真实地反映了战后的韩国社会现实。纵观孙昌涉的小说，人物大部分是具有生理或心理毛病的人，他们生活在战后的韩国现实中，承受着来自心理和生理两方面的种种压力。在这里，孙昌涉在他们的悲惨命运给予人道主义同情的同时，着重考察了他们的生存问题。在孙昌涉的小说中，对人的生存问题、人类的存在问题的关注体现在多个方面，但概括起来主要表现在以下两个方面：首先，孙昌涉的小说经常以人们的日常生活和他们的“居住空间”为主要舞台，描写他们丧失生活意志和人伦道德感而产生的悲剧。与当代主要以战争为主要素材来描写韩国社会悲惨现实的许多作家不同，孙昌涉侧重的是经历那场战争的人们所承受的沉重的心理压力和沦落以及他们的艰难生活，注重思考战后人们所面临的生存、即存在的更为形而上的问题。所以，他小说中呈现出来的与其说是人们的悲惨生活画面，不如说是人到底为什么生存，为什么生活等形而上问题。显然，这是孙昌涉五十年代小说的最大的特征，，也是韩国五十年代存在主义小说的最大特征。其次，孙昌涉常常在小说的结尾处设置重点人物的“自我空间”，以此来表现战后人们的无奈、沦丧乃至自灭。在孙昌涉的小说中，作家刻意设定的焦点人物的这种“自我意识空间”，以及毫无意义的“移动”（走出去、行走）和自言自语的“表述”（喃喃自语、呻吟）等行为就是为了体现作家的这种意图。小说人物的这种行为和作家的创作意图，构成一个鲜明的故事情节模式，暗示着这种悲剧性结局的历史必然性和人们命运的毫无意义和无奈的延续和轮回。
[Abstract]:The 1950s was one of the darkest periods in Korean history. After the Korean War, Korean society was in ruins and people were living in dire straits. With the influx of nihilism as the center of western ideology, Korean society is permeated with the metaphysical thinking of why people live and how they live. In such historical conditions, Sun Chang involves people as dark. The hopeless living space focuses on their tragic life, which truly reflects the reality of post-war Korean society. Throughout Sun Chang's novels, most of the characters are people with physical or psychological problems. They live in the post-war reality of South Korea, under a variety of psychological and physiological pressures. Here, Sun Chang is involved in giving humanitarian sympathy to their tragic fate. In Sun Chang's novels, the concern about human existence and human existence is reflected in many aspects, but it can be summed up in the following two aspects:. First of all, Sun Chang's novels often take people's daily life and their "living space" as the main stage. Different from the many writers who write about the tragic reality of Korean society, whose main material is war. Sun Chang focused on the heavy psychological pressure and decline of the people who had experienced the war and their difficult lives, and on thinking about the survival that people faced after the war, that is, the more metaphysical problems that existed. What he presents in his novels is not so much a picture of people's miserable lives as the metaphysical questions of why people live and why they live. Obviously, this is the biggest feature of Sun Chang's novels in 50s. It is also the biggest feature of the existentialist novels in Korea in 50s. Secondly, Sun Chang often sets up the "self-space" of the key characters at the end of the novel to show the helplessness, loss and even self-destruction of the postwar people. The "self-conscious space" of the focal figure deliberately set by the writer, and the meaningless "movement" (going out, walking) and the "expression" of self-talk (murmur), Such acts as moaning) are designed to reflect the writer's intention. This behavior of the novel characters and the writer's creative intention constitute a distinct storyline pattern. It implies the historical inevitability of this tragic ending and the meaningless and helpless continuation and reincarnation of people's destiny.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I312.607.4

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