易卜生与存在主义

发布时间：2018-03-20 11:43

本文选题：易卜生　切入点：存在主义　出处：《集美大学》2013年硕士论文　论文类型：学位论文

【摘要】：易卜生是十九世纪挪威著名的剧作家,被称为“现代戏剧之父”。他一生的戏剧创作不仅为挪威文学的繁荣做出了巨大贡献,更是在世界文学中占有举足轻重的地位。他的作品自其在世上演直至逝世百余年间,不时地成为民间和学术界关注的热点,足以证明其经久不衰的魅力。随着现代性内涵从社会现代性向审美现代性的转移,我们也渐渐发现,易卜生不仅仅是激进的社会改革家,他首先是一位艺术家、思想家,更是一位诗人。本文在存在主义理论的观照下,运用新批评文本细读的方法对其剧作结构与语言中的象征、隐喻、反讽、悖论、张力等艺术表现进行解读,深度发掘易卜生剧作中丰富的存在主义思想。本文主体部分有三个章节。第一章主要描述戏剧人物忧郁、孤独、焦虑、恐惧、绝望的基本生存状态,并指出这种状态源自于对生命虚无和必然死亡的恐惧以及人生在世人与自我、人与世界、人与他人之间无法消除的分裂感。为此,他们变成了无家可归的异乡人。第二章表明易卜生式的英雄是如何在道德判断的悬置、本真自我的呼唤以及神性上帝的寻找中走向了寻找本真自我的迷途。第三章中戏剧人物介入到生活中去寻找真理、寻找生命的意义,就像是一个异乡人呼唤着家园。主体部分的三章按照放逐-寻找-回归的线索描绘了现代人在无家可归的流浪中寻找家园的过程。在全球经济飞速发展的今天,人们的物质生活水平不断地提升,不断地完善,然而,这些进步却并没有让他们生活得更加快乐和满足,相反,他们感到前所未有的焦虑、空虚和压抑。这使人们更加迫切地去思考这样的问题:人生的意义何在?人究竟应该如何生存又如何生活?易卜生的剧作不管选用什么内容题材,运用什么艺术手法,他反反复复探讨的唯有一个主题:在充满悖论的生命中寻求人之存在价值的困境。因此通过对易卜生剧作的文本细读,透析文本包涵的深刻的存在主义思想,对其创作进行全方位的存在主义解读,具有重要的艺术价值、理论价值和现实价值。
[Abstract]:In 19th century, Ibsen, a famous Norwegian playwright, was called the Father of Modern Drama. His dramatic creation not only contributed greatly to the prosperity of Norwegian literature, but also contributed greatly to the prosperity of Norwegian literature. His works have become the focus of attention from time to time from his performance in the world to the death of more than a hundred years. As the connotation of modernity shifts from social modernity to aesthetic modernity, we gradually find that Ibsen is not just a radical social reformer, he is above all an artist, a thinker, In the light of existentialism theory, this paper interprets the artistic expressions of symbolism, metaphor, irony, paradox, tension and so on in the structure and language of his plays by using the method of careful reading of the new critical text. There are three chapters in the main part of this paper. The first chapter mainly describes the basic living conditions of drama characters such as melancholy, loneliness, anxiety, fear and despair. And pointing out that this state of affairs stems from the fear of nothingness and inevitable death of life and the inextricable sense of division between human beings and themselves, between human beings and the world, and between human beings and others. They become homeless aliens. Chapter two shows how Ibsen heroes are suspended in moral judgment. The call of the true self and the search of the divine God lead to the misguided way of finding the true self. Chapter three shows the dramatic characters getting involved in life to find the truth and the meaning of life. It's like a stranger calling for home. The three chapters in the main part follow the clues of exile, search, and return to depict the process of homelessness in the homelessness of modern people. Today, with the rapid development of the global economy, People's material living standards are constantly improving and improving. However, these advances do not make them happier and more satisfied. On the contrary, they feel more anxious than ever before. Emptiness and depression make it all the more urgent to think about the question: what is the meaning of life? How do people live and live? Ibsen's plays, no matter what content or subject matter they choose, what artistic techniques they use, The only theme he has repeatedly explored is the dilemma of seeking the value of human existence in a life full of paradoxes. Therefore, through the careful reading of the texts of Ibsen's plays, he analyzes the profound existentialism thought contained in the texts. It is of great artistic value, theoretical value and practical value to interpret his creation in all aspects of existentialism.
【学位授予单位】：集美大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I533.073

【相似文献】