美国小说在中国的接受：1919-1949

发布时间：2018-04-04 17:20

本文选题：美国小说　切入点：中国　出处：《集美大学》2013年硕士论文

【摘要】：1895年,甲午中日战争的耻辱让中国人开始睁眼看世界,中国文学开始了从古代文学向现代文学的历史转型。1919—1949年,美国小说以年轻、现代的姿态出现在中国读者的视野中。而中国读者的审美期待直接影响他们对美国小说的选择、接受,放弃和误读。本文拟从接受美学的角度来探讨1919—1949年间美国小说在中国的接受情况。第二章概括展示从1895年到1949年美国小说在中国的译介情况。从时间来看,分为三个时期:滥觞期(1895—五四前后)、沉默期(1917-1927)、繁荣期(1927-1949)。美国小说在中国的译介最多的是1927到1949年间。第三章概括中国读者对于美国小说的选择与放弃的类型以及原因。梳理了美国小说从诞生至1949年间,最具代表性的作家及作品。概括了被中国读者接受的类型:政治小说、浪漫主义小说、现实主义小说、现代主义小说。本文从接受美学的角度,分析了读者选择与接受这些类型的原因。对于未被中国读者选择的作品,同样从接受美学视角做了简要分析。第四章,本章选取了最有代表性的作家作为案例,佐证中国读者带着自己的期待视野接受美国小说。这些作家包括:施蛰存、鲁迅、郭沫若、沙汀。从接受美学的前理解出发,阐释了每一位作家接受美国小说的原因,并从他们的创作来分析他们对于美国小说的接受。第五章,本章在前文基础上,以接受理论为依据,总结了中国读者选择和误读美国小说的原因。中国读者选择美国小说是受社会现实的驱使以及中美民族的共通性。而读者对于小说的误读,主要是因为读者对于美国小说的简单化理解、中美两国交往中美国形象以及中国读者对于西方宗教的理解偏差。本文试图从读者的期待视野,来阐释中国对于美国小说的接受情况,根据新的研究方法和思路开拓解放前中美文学交流的新领域。
[Abstract]:In 1895, the humiliation of the Sino-Japanese War in 1895 made the Chinese people open their eyes to the world. Chinese literature began the historical transition from ancient literature to modern literature. In 1919-1949, American novels appeared in the eyes of Chinese readers with a young and modern posture.The aesthetic expectations of Chinese readers directly affect their choice, acceptance, abandonment and misreading of American novels.This paper discusses the reception of American novels in China during 1919-1949 from the perspective of reception aesthetics.The second chapter summarizes the translation of American novels in China from 1895 to 1949.From the point of view of time, it can be divided into three periods: the origin period was around the 1895-May fourth Movement, the silent period was 1917-1927 and the prosperous period was 1927-1949.Most American novels were translated from 1927 to 1949 in China.Chapter three summarizes the types and reasons of Chinese readers' choice and abandonment of American novels.Combing American novels from birth to 1949, the most representative writers and works.This paper summarizes the types accepted by Chinese readers: political novels, romantic novels, realistic novels and modernist novels.From the perspective of reception aesthetics, this paper analyzes the reasons for readers to choose and accept these types.The author also makes a brief analysis from the perspective of reception aesthetics for works that have not been selected by Chinese readers.The fourth chapter selects the most representative writers as a case to prove that Chinese readers accept American novels with their own vision of expectation.These writers include: Shi Zhecun, Lu Xun, Guo Moruo, Guo Moruo.Starting from the pre-understanding of reception aesthetics, this paper explains the reasons why every writer accepts American novels, and analyzes their acceptance of American novels from their works.The fifth chapter summarizes the reasons why Chinese readers choose and misread American novels on the basis of reception theory.The choice of American novels by Chinese readers is driven by social reality and the commonality of Chinese and American people.The readers' misreading of the novel is mainly due to their simplified understanding of the American novel, the image of the United States in the exchanges between China and the United States and the deviation of the Chinese readers' understanding of Western religion.This paper attempts to explain China's acceptance of American novels from the perspective of readers' expectations and to explore new areas of Sino-American literary exchange before liberation according to new research methods and ideas.
【学位授予单位】：集美大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074

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