《金色笔记》的视觉化研究
发布时间:2018-05-27 14:16
本文选题:多丽丝·莱辛 + 《金色笔记》 ; 参考:《西南大学》2013年硕士论文
【摘要】:《金色笔记》堪称多丽丝‘莱辛最成功的作品之一,是这位2007年诺贝尔文学奖获得者的代表作。小说自出版以来,广受关注。学术界对该作品的分析、研究和解读,可谓深入、详尽。这些学术成果针对小说的语言、形式和凤格、内容、主题等内容,涉及到的文学批评方法包括:结构主义、女性主义、弗洛伊德和荣格心理分析等。这些研究从不同角度,深入挖掘《金色笔记》,为读者提供了赏鉴和评析该小说的多重视角。然而,众多的研究中,却鲜有探讨小说的视觉化问题。本论文作者注意到这一问题,认为这部小说中,莱辛以其独特的女性视角进行观察和描写,构建了一个充满复杂视觉意象的世界。 《金色笔记》中,莱辛对人物、风景、记忆,甚至是意识流和梦的描写都充满了画面感,力图唤起读者联想到相应的画面。本文从文本细节切入,分析莱辛如何同画家一般,从色彩、光影和构图三个方面出发,借助各种视觉艺术技巧,如视觉焦点的转移,蒙太奇手法等,完成《金色笔记》的视觉化描写,最终指出莱辛对该书的创作不仅是她在形式上的一次实验,也是其视觉化观念在文学作品中的表达。
[Abstract]:The Golden Notebook is one of Doris Lessing's most successful works and the masterpiece of the 2007 Nobel Prize winner. Since its publication, the novel has received wide attention. The analysis, research and interpretation of this work in academic circles can be described as thorough and detailed. These academic achievements are aimed at the language, form, Feng GE, content, theme and so on of the novel. The literary criticism methods involved include: structuralism, feminism, Freud and Jung's psychoanalysis and so on. These studies explore the Golden Notebook from different angles and provide readers with multiple perspectives to appreciate and comment on the novel. However, among many studies, there is little discussion on the visualization of novels. The author of this paper pays attention to this problem and thinks that in this novel Lessing observes and describes it from her unique female perspective and constructs a world full of complex visual images. In Golden Notebook, Lessing's description of characters, scenery, memory, and even stream of consciousness and dreams is filled with a sense of picture, trying to evoke the readers to associate with the corresponding picture. This paper analyzes how Lessing is similar to the painter in terms of color, light and composition, with the help of various visual art techniques, such as the shift of visual focus, the montage technique, and so on. Finally, it is pointed out that Lessing's creation of the book is not only an experiment in form, but also an expression of her visual concept in literary works.
【学位授予单位】:西南大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I561.074
【参考文献】
相关期刊论文 前3条
1 王丽丽;伊迎;;后现代碎片中的“话语”重构——《金色笔记》的再思考[J];当代外国文学;2006年04期
2 颜伟娜;;试论生活中的色彩心理学[J];通化师范学院学报;2008年06期
3 杨森茂;;论书籍装帧[J];阴山学刊;1989年01期
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