成长的三棱镜——《地海三部曲》的多重叙事模式

发布时间：2018-06-23 23:52

  本文选题：厄休拉·勒·魁恩 + 《地海三部曲》　； 参考：《阜阳师范学院学报(社会科学版)》2015年06期

【摘要】：美国当代作家厄休拉·勒·魁恩的幻想小说《地海三部曲》由三部长篇《巫师》《古墓》和《彼岸》组成。这三部小说在人物、时间和情节上相互独立又相互关联,每一部聚焦于一个年轻人的成长。三部曲采用传统的第三人称全知视角,但是每本书的叙述焦点/视点因为主人公的不同而不同。由是,三部曲的三个不同叙事视角让三部小说构成了一个三棱镜,三个主人公和三个主题互相映衬、互相折射、互相补充,看似简单平淡的表面叙事之下是更复杂的多层次、多角度叙事,凸显了人物性格的发展、故事的叙述层次和三部曲的成长主题。
[Abstract]:The fantasy novel of Ursula Le queen, American contemporary writer, "the sea Trilogy" is composed of three long stories, "the wizard > the tomb > and the other." the three novels are independent and interrelated on the characters, time and plot, each of which focuses on the growth of a young man. The Trilogy uses the traditional third person omniscient perspective, but each book The focus / point of view is different from the protagonist. It is that the three different narrative perspectives of the trilogy make three novels a three prism, the three masters and the three themes reflect each other, refract each other, complement each other, and the seemingly simple and flat surface narrative is a more complex multilevel, multi angle narrative, highlighted The development of character, narrative level and theme of trilogy.
【作者单位】： 阜阳师范学院外国语学院;南京师范大学外国语学院;
【基金】：2014年安徽省高校人文社科重点项目“厄休拉·勒·魁恩‘地海’系列小说跨文化研究”(SK2014A347)
【分类号】：I712.074
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本文编号：2058999