唐.德里罗小说《坠落的人》解读：文化诗学视角
发布时间：2018-07-21 17:06
【摘要】：德里罗的9/11题材小说《坠落的人》跳出了主流的9/11历史叙事,转而谱写了一部关注那些被淹没或边缘化小人物的9/11社会史。文化诗学批评视角认为历史首先是一种话语,它关注历史与文学文本间的互动关系,探讨“文本的历史性”与“历史的文本性”的双向互动,并关注作家透过文学文本与历史、文化的“协合”和“自我形塑”。从文化诗学视角对这部小说进行解读,可以帮助我们更好的理解这部作品,并帮助我们从多角度认识9/11历史事件,深入了解9/11后的美国人和美国社会。 布什政府的9/11宣传政策和美国主流媒体对创伤画面的不断闪回构成了美国的9/11单义官方话语叙事：美国人的无辜受难、对抗和复仇。《坠落的人》颠覆了主流的9/11叙事,通过对美国普通民众后9/11生存困境以及恐怖分子的“坠落蜕变”的关注与刻画,德里罗构建了一部多元的9/11社会史；同时从恐怖主义,美国的政治、经济政策和自身形象,以及伦理关怀等层面对9/11进行了冷峻的历史反思。
[Abstract]:Delilo's 9 / 11 novel, the fall of the Man, jumps out of the mainstream 9 / 11 historical narrative and instead writes a 9 / 11 social history that focuses on the inundated or marginalized little people. From the perspective of cultural poetics criticism, history is regarded as a kind of discourse, which focuses on the interactive relationship between history and literary texts, probes into the two-way interaction between "historical text" and "textuality of history", and pays attention to the writers' interaction through literary texts and history. Cultural harmony and self-shaping. The interpretation of the novel from the perspective of cultural poetics can help us understand the novel better and help us to understand the historical events of 9 / 11 from many angles and to understand deeply the post-9 / 11 Americans and American society. The Bush administration's 9 / 11 propaganda policy and the constant flashback of trauma images in the mainstream media constitute the 9 / 11 single official narrative of the United States: innocent American suffering, confrontation, and revenge. The falling Man subverts the mainstream 9 / 11 narrative. Through the concern and portrayal of the plight of the ordinary American people in the aftermath of 9 / 11 and the "fall and transformation" of the terrorists, Derrero constructed a pluralistic 9 / 11 social history; at the same time, from terrorism, the political and economic policies of the United States and its own image, And ethical concern and other aspects of 9 / 11 for a cold historical reflection.
【学位授予单位】：浙江工商大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2136209
[Abstract]:Delilo's 9 / 11 novel, the fall of the Man, jumps out of the mainstream 9 / 11 historical narrative and instead writes a 9 / 11 social history that focuses on the inundated or marginalized little people. From the perspective of cultural poetics criticism, history is regarded as a kind of discourse, which focuses on the interactive relationship between history and literary texts, probes into the two-way interaction between "historical text" and "textuality of history", and pays attention to the writers' interaction through literary texts and history. Cultural harmony and self-shaping. The interpretation of the novel from the perspective of cultural poetics can help us understand the novel better and help us to understand the historical events of 9 / 11 from many angles and to understand deeply the post-9 / 11 Americans and American society. The Bush administration's 9 / 11 propaganda policy and the constant flashback of trauma images in the mainstream media constitute the 9 / 11 single official narrative of the United States: innocent American suffering, confrontation, and revenge. The falling Man subverts the mainstream 9 / 11 narrative. Through the concern and portrayal of the plight of the ordinary American people in the aftermath of 9 / 11 and the "fall and transformation" of the terrorists, Derrero constructed a pluralistic 9 / 11 social history; at the same time, from terrorism, the political and economic policies of the United States and its own image, And ethical concern and other aspects of 9 / 11 for a cold historical reflection.
【学位授予单位】：浙江工商大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
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