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解读加缪《局外人》中的刺点

发布时间:2018-11-11 10:33
【摘要】:《局外人》是加缪的成名作。该书以一种客观记录式的风格,粗线条地描述了主人公莫尔索在荒缪的世界中经历的种种荒缪的事,以及他自身的荒谬体验。从参加母亲的葬礼到偶然成了杀人犯,再到被判处死刑,莫尔索似乎对一切都无动于衷,理性而又非理性地存在着,就像一个象征性的符号,代表了一种普遍的存在。他的这种荒诞正是以刺点的形式表现出来的。 刺点(Punctum)是罗兰巴特在《明室》一书中提出的观点。巴特的这一概念,一直没有受到重视,而四川大学符号学教授赵毅衡把它译为刺点,并引入到符号学中,而且在符号双轴关系中格外强调它的重要性。 刺点是文化“正常性”的断裂,日常状态的破坏,要求读者介入以求得狂喜,其特征是偶然的、无名的、犯规的、断裂的。 刺点作为一种文学分析手法来分析文学作品,,目前还比较少。本文旨在尝试用刺点的观点对局外人中的荒诞进行分析,对局外人进行另一种方式的理解。从而进一步了解这部文学作品的深层内涵及意义,并且指出刺点可以作为一种新的文学评论手法引入到文学分析中。
[Abstract]:Outsider is Camus's famous work. In an objective and recorded style, the book gives a rough description of the tragic events experienced by Morso in the world of famine and his own absurd experience. From attending his mother's funeral to becoming a murderer by accident to being sentenced to death, Morso seemed indifferent to everything, rational and irrational, like a symbolic symbol, representing a universal existence. His absurdity was expressed in the form of prickles. The thorn point (Punctum) is the idea put forward by Roland Bart in the Room of Light. However, Zhao Yiheng, a professor of semiotics at Sichuan University, translated the concept into semiotics and emphasized its importance in the biaxial relationship of symbols. Prickles are the breakage of cultural "normality" and the destruction of daily state, which require the reader to intervene for ecstasy. Its characteristics are accidental, nameless, foul, broken. As a method of literary analysis, prickles are relatively few at present. The purpose of this paper is to analyze the absurdity of the outsider with the viewpoint of prickle point and to understand the outsider in another way. In order to further understand the deep connotation and significance of this literary work, it is pointed out that prickles can be introduced into literary analysis as a new method of literary criticism.
【学位授予单位】:外交学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I565.074

【参考文献】

相关期刊论文 前4条

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