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关于中岩圆月及《东海一沤集》之研究

发布时间:2018-11-11 19:04
【摘要】:“五山文学”指的是从日本的镰仓末期到江户初期,产生于禅林内部、主要由禅宗僧侣所进行的汉诗文创作活动。中世的日本禅林由于受到中国禅林的影响,逐渐摆脱了僧人一味“参禅学法”的本职活动,而渐趋显露出浓厚的文学趣味。这一时期名家辈出,被冠以“文学僧”头衔的禅宗僧侣创作出了大量具有极高文学价值的诗文作品,不仅对当时和后世的日本产生了深远影响,而且在中国的学界也引发了很大关注。 而这当中,中岩圆月一方面文才精湛,留存后世的《东海一沤集》等作品达到了极高的汉文学水准。而另一方面,作为一名禅僧,中,岩所秉持的“经世济民”的政治理念于当时的禅林僧众而言却又显得是那么地难能可贵、出彩异常。中岩自幼师从禅宗僧侣学习儒学,二十多岁时来华学道并于中国大陆游历八年。回国后适逢建武新政,便又为拥护皇权、推行王道而建言献策。中岩关心民生疾苦,关注国家政治,同时又清高孤傲、不入凡流。在中世日本禅林当中,从生平经历和文学成就上来看,中岩可谓独具特色、大放异彩。本文即是以中岩圆月的作品集《东海一沤集》为对象,从文学性和政治性两个层面展开的研究。 序言部分介绍中岩在五山文学上的地位以及开展本研究的可行性。同时对相关的先行研究作品进行介绍。 第一章主要介绍中岩的生平事迹、性格特征以及中国人笔下的中岩形象。 第二章主要分析中岩的诗歌。第一节从音、形、义三个层面对其诗歌进行分类。第二节考察中岩诗歌的用典情况。由于先行研究中已经有过对其诗歌用典的考察,但亦有疏漏,因此笔者拟对其进行补充完善。第三节从所受影响最大的三位中国诗人出发来评析中岩的诗风特点。 第三章主要分析中岩的文章。第一节论述反映其儒学观的《中正子》,第二节论述反映其历史观的《文明轩杂谈》。
[Abstract]:"Wushan Literature" refers to the creation of Han poetry and prose from the end of Kamakura in Japan to the early Edo, which originated from the Zen forest and was mainly carried out by Zen monks. Due to the influence of Chinese Zen forest, the Japanese Zen forest of the Middle World gradually got rid of the monk's activity of "taking part in Zen study method", and gradually revealed a strong literary interest. In this period, famous scholars and Zen monks named as "literary monks" produced a large number of poems of great value to Gao Wenxue, which not only had a profound impact on Japan at that time and in later generations. Moreover, the academic circles in China have also aroused great concern. Among them, Zhongyan moon, on the one hand, exquisite literary skills, retained later works such as the East China Sea one retou Ji, and other works reached a very high level of Chinese literature. On the other hand, as a Zen monk, the political idea of "benefiting the people" held by Yan was so valuable and extraordinary to the Zen monks at that time. He studied Confucianism from Zen monks, came to China in his twenties and traveled to mainland China for eight years. When he returned to China, he offered advice and advice in support of the imperial power and the implementation of the king's path. Zhongyan is concerned about people's livelihood and national politics. In the Japanese Zen forest in the Middle Age, from the life experience and literary achievements, Zhongyan is unique and brilliant. This paper is a study from the literary and political aspects of a collection of works of the full moon in the East China Sea, the East China Sea and the retting Collection. The preface introduces the position of Zhongyan in the literature of the five Mountains and the feasibility of this study. At the same time, the related research works are introduced. The first chapter mainly introduces Zhongyan's life, character and Chinese characters. The second chapter mainly analyzes the poetry of Zhongyan. The first section classifies his poems from three aspects: sound, form and meaning. The second section examines the usage of Zhongyan poetry. Since there has been a study of his poetry, but there are also some omissions, the author intends to complement and perfect it. The third section analyzes Zhongyan's poetic style from the three most affected Chinese poets. The third chapter mainly analyzes the article of Zhongyan. The first section deals with Zhongzhenzi, which reflects his view of Confucianism, and the second section with his theory of history.
【学位授予单位】:浙江工商大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I313.063

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