边缘之光与性别穿越——耽美创作的女性主义解读
发布时间：2018-12-07 11:26
【摘要】：上个世纪60年代之后,随着女性描写男性同性恋成为横跨日本文艺界的潜在潮流,"耽美"脱离原意,发展为指代描写男性间情爱关系的作品。通过对一些耽美叙事作品中的人物在事件中的角色功能和行动元作用进行分析,我们可以从女性主义角度出发,探索以角色性别的穿越为最大特点的耽美创作对女性意识的展现与意义。
[Abstract]:After the 1960s, as the female portrayal of male homosexuality became a potential trend across the Japanese literary and art world, "Dharma" broke away from its original intention and developed into a work describing the relationship between men's love. Through the analysis of the role function and action element function of some characters in the narrative works, we can proceed from the perspective of feminism. This paper explores the significance of danmei's creation, which is characterized by the traversing of role and gender, to the female consciousness.
【作者单位】： 华侨大学文学院;
【分类号】：I106
，
本文编号：2367127
[Abstract]:After the 1960s, as the female portrayal of male homosexuality became a potential trend across the Japanese literary and art world, "Dharma" broke away from its original intention and developed into a work describing the relationship between men's love. Through the analysis of the role function and action element function of some characters in the narrative works, we can proceed from the perspective of feminism. This paper explores the significance of danmei's creation, which is characterized by the traversing of role and gender, to the female consciousness.
【作者单位】： 华侨大学文学院;
【分类号】：I106
，
本文编号：2367127
本文链接：https://www.wllwen.com/yingmeiwenxuelunwen/2367127.html
