波伏娃女性主义视角下小说《无主之家》中的女性形象研究

发布时间：2018-12-08 11:12

【摘要】：随着女性意识的崛起，在法国大革命之后，女性运动不断蓬勃发展，而波伏娃作为女性主义的重要代表人物，其于1949年发表的作品《第二性》系统描述及论证了女性受男性压迫，作为不独立的客体，即“第二性”，屈于所谓的主体－男性之下，集中反映了她的女性主义思想，并为之后的女性主义运动奠定了理论基础。本文从女性主义的角度出发，选择波伏娃的女性主义理论作为框架，对小说《无主之家》中的女性形象进行分析阐释。小说《无主之家》是德国战后著名作家海因里希伯尔的重要作品，小说中女主人公内拉及布里拉赫太太的丈夫都在战争中死亡，内拉因此终日沉浸在对过去生活的回忆以及对现实生活的幻想中，布里拉赫太太则因为贫穷的经济条件不得不依靠政府抚恤金，，以及有名无实的夫妻关系来维持生活。伯尔想借此来表达战争对人们带来的不可磨灭的创伤，以及试图寻找一条可以让大家过上正常生活，幸福生活的道路。本文通过对作品中女性形象的梳理，力图展现这些女性形象是否是传统的，即波伏娃所描写的依靠男性和婚姻，没有自主性，以家庭主妇和母亲角色为自己一生任务的女性形象，抑或是男性通常描写的女性神话，而这些女性形象又是否反映了德国当时女性的普遍处境。企图通过这些论证可以得到对此作品中女性形象的更全面深刻的理解与认识。
[Abstract]:With the rise of female consciousness, after the French Revolution, the female movement continued to flourish, and Bovova as an important representative of feminism, The second sex, published in 1949, systematically describes and demonstrates that women are oppressed by men and, as an independent object, "second sex", which is subdued by the so-called subject-male, reflects her feminist thought. And lay a theoretical foundation for the later feminist movement. From the perspective of feminism, this paper chooses Bovova's feminist theory as the frame to analyze and explain the female images in the novel House without ownership. The novel "House without ownership" is an important work of the famous German writer Heinrich Burr after the war, in which the heroine Nera and the husband of Mrs. Brillach are both killed in the war. As a result, Nera was immersed in memories of past life and fantasies about real life, while Mrs Brillach had to rely on government pensions and nominal marital relationships for her poor economy. Burr wants to express the indelible trauma of war and try to find a way to lead a normal and happy life. By combing the female images in the works, this paper tries to show whether these female images are traditional, that is, Bovova's description depends on men and marriage, and has no autonomy. Whether it is the female image that takes the role of housewife and mother as her lifetime task, or the female mythology that men usually describe, and whether these female images reflect the prevailing situation of women in Germany at that time. Through these argumentation, we can get a more comprehensive understanding and understanding of the female image in this work.
【学位授予单位】：四川外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.074

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