王尔德戏剧《莎乐美》中爱的主题

发布时间：2019-03-11 07:37

【摘要】：戏剧《莎乐美》是19世纪英国唯美主义作家奥斯卡·王尔德创作的一出独幕剧,自问世以来就被视为惊世骇俗,受到社会各界的广泛争议。究其原因,在于剧作家以戏剧化夸张的表现形式表达了唯美主义的诉求,这诉求极力肯定着形式美与感官享受。然而,唯美主义并非该剧唯一的主题——以“爱”的概念为核心的理解力与想象力是剧作家力图传达的意蕴,也是笔者认为该剧隐含的另一主题。首先,《莎乐美》一剧在原始的《圣经》莎乐美故事中刻意加插了两三个人物,他们在整个剧情中起着有机作用,与原始故事中的人物共同形成了一张由多个单恋关系交织而成的人物关系网。主要的六个人物在这张关系网中或单恋或自恋,是“唯我主义”式的自我沉浸。而剧中的大部分小人物与主要人物相对应,也呈现出自说自话、顽固唯我的特点,从而令整部剧的人物之间都孤立封闭,缺乏沟通与理解。然后,笔者分析了《莎乐美》剧中对于视觉感受及听觉感受的描绘,认为视觉感受和听觉感受是剧作家分别对于唯我主义和沟通理解两种对立状态的隐喻。“看”的动作在西方哲学传统中暗喻旁观、静思、物我两立,与之相对应,“听”的动作在18、19世纪以来的西方哲学中则喻示了融入、经历与多元化的理念。视觉描绘与听觉描绘交融,不仅是唯美主义的一种创作手法,更隐含了深刻的主题意义——耶稣基督代表的沟通与大爱。最后,笔者列述了王尔德作品中一贯出现的爱的主题,分析了意大利文艺复兴诗人但丁的“爱”的思想对王尔德的影响,同时指出本论文中“爱”的含义。前章引出的耶稣基督的形象在王尔德的创作中具有一种超越悖论的性质,他既自我,又充满同情心与理解力,是王尔德刻意创作的完美“爱”的化身。戏剧《莎乐美》以耶稣基督的到来作为故事背景,暗示了其隐含的爱的主题。
[Abstract]:Salome is a single play written by Oscar Wang Erde, a British aesthetician writer in the 19th century. Since its inception, it has been regarded as appalling and widely disputed by all walks of life. The reason is that the dramatist expresses the demand of aestheticism in the form of drama and exaggeration, which strongly affirms the beauty of form and the enjoyment of the senses. However, aestheticism is not the only theme of the play-the comprehension and imagination centered on the concept of "love" are the implication that the playwright tries to convey, and another theme that the author thinks is implicit in the play. First of all, the play Salome deliberately inserted two or three characters into the original Salome story. They played an organic role in the whole story. Together with the characters in the original story, a network of characters intertwined with each other is formed. The six main characters in this network are narcissistic or narcissistic. Most of the small potatoes in the play correspond to the main characters, but also show the characteristics of self-talk and stubbornness, so that the characters of the whole play are isolated and closed, and lack of communication and understanding. Then, the author analyzes the description of visual feeling and auditory feeling in Salome, and thinks that visual feeling and auditory feeling are the metaphors of the antagonistic state of egoism and communication and understanding respectively by the playwright. In the tradition of western philosophy, the action of "seeing" is a metaphor for the onlooker, the silent thinking, the two sides of things and we, corresponding to the action of "listening" in 18, and since the 19th century, the western philosophy shows the idea of integration, experience and pluralism, and the idea of integration, experience and pluralism has been embodied in the western philosophy since the 19th century. The blending of visual description and auditory depiction is not only a creative technique of aestheticism, but also a profound theme meaning-the communication and great love represented by Jesus Christ. Finally, the author lists the theme of love in Wang Erde's works, analyzes the influence of Dante's thought of "love" on Wang Erde, and points out the meaning of "love" in this thesis. The image of Jesus Christ in the previous chapter has a nature of transcending paradox in Wang Erde's creation. He is not only self, but also full of compassion and understanding, which is the embodiment of Wang Erde's deliberate creation of perfect "love". The play Salome takes the arrival of Jesus Christ as the background, implying its implicit theme of love.
【学位授予单位】：广西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.073

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