论陌生化在纳博科夫的《洛丽塔》中的实现
发布时间：2021-01-23 17:11
“陌生化”理论是俄国形式主义运动的一个重要理论,由形式主义的首要代表和主要发言人什克洛夫斯基（以下简称十氏）于1916年在其著名的论文《作为艺术的手段》中提出。这是俄国形式主义运动的纲领性论文。在这篇文章中,什氏在批判波捷勃尼亚的艺术即形象思维这一观点时,写下了一段关于艺术的名言:“那种被称为艺术的东西的存在,正是为了唤回人对生活的感受,使人感受到事物,使石头更成其为石头。艺术的目的是使你对事物感觉如同你所见的视象那样,而不是如同你所认知的那样;艺术的手法是事物的‘反常化’手法是复杂化形式的手法,它增加了感受的难度和时延,既然艺术中的领悟过程是以自身为目的的,它就理应延长;艺术是一种体验事物之创造的方式,而被创造物在艺术中已无足轻重。”这段文字让我们看到了什氏对艺术的目的、艺术程序以及艺术是什么等重大问题的回答,而其中“陌生化”正是解答这些问题的关键。正值俄国形式主义运动蓬勃发展之时,一位19岁的俄国少年却由于政治原因离开故土,开始了自己此后漫长的流亡人生。这人就是享誉当今世界文坛多才多艺的文学巨擘—弗拉的米尔·纳博科夫（1899--1977）。而他的《洛丽塔》,这部有着传奇色彩且为纳...
【文章来源】：上海外国语大学上海市 211工程院校 教育部直属院校
【文章页数】：70 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
摘要
Abstract
Introduction
Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita
1.1 An Introduction to the Notion "Defamiliarization"
1.1.1 the Definition of "Defamiliarization"
1.1.2 The Methods to Defamiliarize in Literature
1.2 Applying "defamiliarization" to Lolita
1.2.1 Formalist Criticism about Vladimir Nabokov's Writings
1.2.2 Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art
Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita
2.1 Parody: an Essential method to Defamiliarize the Theme of Lolita
2.1.1 Parody of Love Romance
2.1.2 Parody of Detective stories
2.1.3 Parody of the Prustian Theme on Time and Memory
2.1.4 Sub-conclusion
2.2 Poetic Language : a Most Effective Way to Defamiliarize in Lolita
2.2.1 Multilingualism
2.2.2 Baroque Language
2.2.3 Word Play
2.2.4 Sub-conclusion
Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita
3.1 Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics
3.1.1 Parody, a Key Word to Lolita
3.1.2 Poetic Language, a Highlight in Lolita
3.2 Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception
3.2.1 Defamiliarization: an Effective Way to Acquire artistic perception
3.2.2 Lolita: a Works of Art to Break Over-automatic Perception
Conclusion
Notes
Bibliography
本文编号：2995592
【文章来源】：上海外国语大学上海市 211工程院校 教育部直属院校
【文章页数】：70 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
摘要
Abstract
Introduction
Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita
1.1 An Introduction to the Notion "Defamiliarization"
1.1.1 the Definition of "Defamiliarization"
1.1.2 The Methods to Defamiliarize in Literature
1.2 Applying "defamiliarization" to Lolita
1.2.1 Formalist Criticism about Vladimir Nabokov's Writings
1.2.2 Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art
Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita
2.1 Parody: an Essential method to Defamiliarize the Theme of Lolita
2.1.1 Parody of Love Romance
2.1.2 Parody of Detective stories
2.1.3 Parody of the Prustian Theme on Time and Memory
2.1.4 Sub-conclusion
2.2 Poetic Language : a Most Effective Way to Defamiliarize in Lolita
2.2.1 Multilingualism
2.2.2 Baroque Language
2.2.3 Word Play
2.2.4 Sub-conclusion
Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita
3.1 Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics
3.1.1 Parody, a Key Word to Lolita
3.1.2 Poetic Language, a Highlight in Lolita
3.2 Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception
3.2.1 Defamiliarization: an Effective Way to Acquire artistic perception
3.2.2 Lolita: a Works of Art to Break Over-automatic Perception
Conclusion
Notes
Bibliography
本文编号：2995592
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