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《法国中尉的女人》:一部非女性主义小说

发布时间:2021-08-18 17:28
  英国作家约翰·福尔斯是当代英国文坛享有盛名的作家。他的代表作《法国中尉的女人》自1969年问世以来,为福尔斯赢得了很大的荣誉,同时也在评论界及读者中引起了强烈的反响。纵观有关该小说的评论,许多评论家认为小说的女主人公萨拉是一位女权主义的代表人物,本文尝试借用女性主义文学批评理论,尤其是采用激进女权主义有关父权制的论述,来探讨男性作家在处理两性关系时所采取的立场和态度,文章认为,尽管作者塑造了多重身份于一身的萨拉,然而对萨拉缺乏正面清晰的描述,读者对于萨拉的了解完全来自查尔斯及叙述者等的间接叙述,鲜明地反映出作者所强调的男性意识和男性视角。小说的故事情节集中围绕查尔斯展开,而萨拉的真实面目却始终笼罩于神秘面纱的背后,她甚至没有真正的话语权,在故事情节的发展中只是充当“催化剂”,为查尔斯带来惊喜,并促使他不断走向成熟。因而,无声的萨拉只是小说的中心人物,而不是女主角。而小说的三重结尾则主要体现出作者的存在主义观点,并非体现了萨拉真正获得自由。借用女性主义文学批评理论,文章认为,尽管福尔斯自认为维护女性利益,自认为是一位女权主义作家,然而男权社会根深蒂固的影响使他不可避免地成为不平等两性关系... 

【文章来源】:云南师范大学云南省

【文章页数】:69 页

【学位级别】:硕士

【文章目录】:
Acknowledgements
Abstract
Abstract in Chinese
Chapter One Introduction
    1.1 A brief Introduction to Fowles'Life and Literary Career
    1.2 The Summary of The French Lieutenant's Woman
Chapter two Literature Review
    2.1 International Study
        2.1.1 The Theme of the Novel
        2.1.2 The Analysis of Sarah
        2.1.3 Narrative Techniques
    2.2 Domestic Review
Chapter Three An Account of Radical Feminism Theory
    3.1 Feminist Theory
    3.2 Feminist Criticism
    3.3 Radical feminism
        3.3.1 Representative Feminist Critics and her View
        3.3.2 Key terms on Feminist Criticism
            3.3.2.1 "Patriarchy"
            3.3.2.2 Otherness
    3.4 Major Characteristics of "New Women"
        3.4.1 Challenges to traditional roles of woman
        3.4.2 Challenges to traditional marriage
        3.4.3 Challenge to the traditional image
        3.4.4 Challenge the relationship between male and female
Chapter four Unequal Contrast between male and female Characters
    4.1 The Mystery of Sarah
        4.1.1 The Image of Sarah
            4.1.1.1 The role of Inferiority
                4.1.1.1.1 Sarah's behaviors
                4.1.1.1.2 The Absence of Sarah's Voice
                4.1.1.1.3 Sarah's Intention
        4.1.2 Male Imagination of Sarah
    4.2 Sarah as the Role of "Catalyst"
    4.3 Summary
Chapter Five Narrative Strategies
    5.1 Narrative Device in Characterizations of male and female
        5.1.1 The Real Protagonist:Charles
        5.1.2 The Central Figure:Sarah
    5.2 The Triple Endings
        5.2.1 The Credibility of Three Endings
        5.2.2 The Failure of Sarah's Final Freedom-The third ending
Chapter Six Conclusion
Bibliography
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