至虚为宗:论《列子注》的美学意义

发布时间：2018-06-21 02:10

  本文选题：张湛 + 《列子》注　； 参考：《文学遗产》2017年01期

【摘要】：张湛《列子注》贯通儒玄,圆融佛学,成为魏晋玄学发展的最后一个阶段。《列子注》的哲学基点虽然在于论述人生解脱的问题,但是所提出的至虚、虚静、玄照、理言、神明等一系列范畴都与美学有密切的内在联系。如果仅从美学上考察,《列子注》建立在"至虚为宗"的哲学本体论基础上,所阐释的"虚静之性"的心境论、"圆通玄照"的神思论、"至理无言"的言意论、"神明所得"的美感论,虽非专论美学,却都阐释了具有深刻美学意义的哲学命题。
[Abstract]:Zhang Zhan's Notes on Liesi, through Confucianism and metaphysics, became the last stage of the development of metaphysics in the Wei and Jin dynasties. Although the philosophical basis of Li Zi's Notes lies in the discussion of the problem of life liberation, it puts forward the most empty, quiet, metaphysical, and rational remarks. A series of categories, such as deities, are closely related to aesthetics. If we only look at it from an aesthetic point of view, it is based on the philosophical ontology of "the most empty is the sect". The state of mind theory of "empty and quiet nature", the deity theory of "Yuantong metaphysical light", the word-meaning theory of "absolute reason", the aesthetic feeling theory of "divine gains", though not monotheistic aesthetics, all explain the philosophical proposition with profound aesthetic significance.
【作者单位】： 浙江越秀外国语学院中文系;
【基金】：国家社会科学基金项目“魏晋经学与诗学关系研究”(项目编号08BZW032)成果之一
【分类号】：B235.9
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本文编号：2046710