论表演者权的法律保护模式之选择

发布时间：2018-04-09 21:41

  本文选题：表演者权　切入点：独创性　出处：《华中师范大学》2015年硕士论文

【摘要】：表演者权是表演者对其表演所享有的专有性权利,区别于作者的表演权。表演者权产生于作品传播技术的进步,随着录制及传播技术的不断出现,表演者失去了对自己“表演”的控制,法律亦形成了对表演者权保护的制度回应。目前,表演者权的法律保护已逐渐在各国形成了多种模式的选择。本文通过对表演者权进行保护的代表性国家之保护模式进行考察,分析了这些模式产生的理论基础以及存在的合理性和不足之处。同时,采用比较分析的方法,对著作权体系国家和版权体系国家表演者权保护的立法所依据的理念差异进行分析,阐释了表演者权的保护模式之不同和各模式下的权利内容之差异等。通过对不同模式的基础理论分析,以独创性为视角,厘清了表演者权的本质,对表演者权采用“两分法”进行归类,主张对创作高度高且符合作品构成标准的表演行为以著作权制度保护；对创作高度较低的表演行为以邻接权制度保护。采用“两分法”对表演行为进行保护,体现立法的公正、公平。本文主要分为四个部分：第一部分,对表演者权及其法律保护模式进行一般性考察,厘清表演者权产生背景和发展轨迹,进而整体把握表演者权的保护模式。第二部分,首先分别介绍表演者权法律保护的典型模式,对各理论基础进行分析,考察各保护模式的立法实践,再对各保护模式进行比较研究,评析其合理性和不足。第三部分,对各国的独创性要求进行考察,再从独创性角度对表演者权的本质进行分析,进而得出独创性与模式选择的关联性,以及表演者权以著作权制度保护的可能性。第四部分,检视我国表演者权保护的现状,并对其进行完善研究。把创作高度高的表演者权纳入著作权保护范畴,对创作高度较低的表演者权进行邻接权保护,不具有独创性的表演行为不给予保护。比较分析不同国家对表演者权的保护模式,并不能以某一种保护模式的立制而告终。不同国家采取不同的模式,都有其存在的原因和理由,结合本国的实际情况,采用最适合本国国情的保护方式,既体现对表演者的权利之保护,又不损害作者的权利,才是著作权法的目标所在。
[Abstract]:The right of performer is the performer enjoys exclusive rights to their performance, performance rights from the author. The rights of performers produced in the dissemination of works and technological progress, with recording and communication technologies and the emergence of a lost control of his "performances", also formed a legal system in response to the protection of the performers' rights. At present, the legal protection of the rights of performers in the world has gradually formed a variety of model selection. This paper investigates through the protection of the performers' rights representative national protection mode, analyzes theoretical foundation of these models and the rationality of the existence and deficiencies. At the same time, using the method of comparative analysis, analysis of differences in philosophy according to the national copyright system and national copyright system of performers rights protection legislation, interpretation of the performers' rights protection mode and different mode of right The contents of the differences. Through the analysis of the basic theory of different modes, viewing from the angle of originality, to clarify the nature of the right of performer, classify the performers'right using "dichotomy", advocated for creation and meet the high performance standard works constitute the copyright protection system; the performance behavior of creative height is low to neighboring rights protection system. The "dichotomy" to protect the performance behavior, embody the legislative justice and fairness. This paper is divided into four parts: the first part, a review on the mode of performers' rights and its legal protection, to clarify the rights of performers background and development path, and grasp the overall protection mode the performers' rights. In the second part, firstly introduces the typical pattern of legal protection of the rights of performers, on the theoretical basis of the analysis, study the legislative practice of the protected mode, and the. A comparative study of nursing mode, analyses its rationality and deficiency. In the third part, the originality requirement investigation, further analysis of the nature of the right of performer from the original point of view, and then draw the relevance of originality and mode selection, and the rights of performers to the possibility of copyright protection. The fourth part examines the status quo. The protection of the performers' rights in our country, and improve the research on it. The creation of high performers' rights included in the copyright protection category, on the creation of lower height of the performers' rights of neighboring rights, does not have the original performance of the do not give protection. A comparative analysis of the different national protection mode for the rights of performers, and not with a protective mode of legislation in the end. Different countries adopt different modes, there are reasons for its existence, combined with China's actual situation, the most suitable for their own country The protection of love, not only the protection of the rights of the performers, but also the rights of the author, is the goal of the copyright law.

【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：D923.41
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本文编号：1728291