论公共场所背景音乐的著作权保护
[Abstract]:As a typical mechanical performance, the copyright involved in the broadcast of recorded music works in public places is often ignored by people in daily life. The main reasons lie in the lack of legislation, the unclear standard of judicial decision and the imperfect charging system. People usually violate the legitimate rights and interests of others inadvertently because of the lack of basic cognition of abstract mechanical performance right. Therefore, in order to form an effective protection of the legitimate rights and interests of the copyright holders of music works, it is necessary to clarify the scope of regulation on the rights of mechanical performance in legislation, and then to clarify the standards of judicial adjudication, and finally, in turn, in the subject of charge and the operating mechanism. Interest distribution and other aspects of background music fee system, so that the public to the public background music copyright rights and interests to achieve the level of recognition. In terms of legislation, the expression of mechanical performance in copyright Law of our country is the public broadcasting of works by "various means". Such a definition is not only too general, but also may lead to the overlapping of performance rights and property rights of other works. Both Anglo-American law system and other countries in continental law system, the outline of mechanical performance rights are more specific. Therefore, our country needs in the legislation separately lists the mechanical performance right, and carries on the elaboration to it. In the aspect of judicature, there are many difficulties in protecting the copyright of background music in public places. At the technical level, there are many difficult problems, such as the difficulty of collecting the evidence of infringement and the difficulty of determining the amount of compensation. Collecting the tort evidence in time to determine a reasonable and appropriate amount of compensation is beneficial to determine the specific situation of the defendant using the infringing work, and to urge the defendant to fulfill the judgment actively, thus effectively protecting the legitimate rights and interests of the infringee. Therefore, we need to improve the situation of practical work through the reference of typical cases. In the aspect of charging system, the international protection of background music copyright usually adopts the collective management mode. Compared with the free competition mode, the monopoly management of our country still has some shortcomings. By using the mature charging mechanism of Hong Kong, Japan and the United States for reference, this paper discusses how the fee system in our country can be perfected in the aspects of membership system, collection and management of membership fees, and organization supervision, etc. So that the background music copyright in the practical level to get more mature protection. In terms of public awareness, starting from scratch is a very difficult start, and the cultivation of public cognitive habits requires the dual role of law popularization and litigation. In the field of law popularization, famous musicians can be invited to participate in the shooting of popular law propaganda films or microfilms, and then use Weibo, WeChat public number, friends circle and other emerging media to spread the publicity effect. In law enforcement, attention should be paid to "teaching students in accordance with their aptitude," and warning them lightly. Litigious rights are upheld. At the same time, the combination of routine inspection and spot check to strengthen the supervision of infringement.
【学位授予单位】:山东大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:D923.41
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