现代语文呼唤新诗审美教育

发布时间：2018-05-07 00:31

本文选题：现代语文 + 现代新诗　；参考：《语文建设》2017年16期

【摘要】：正五四文学革命理论的积极影响,直接催生了新诗创作及具有典范意义的新诗作品。随之,这又开始改变语文教科书的文本结构,以胡适、沈尹默等人为代表的新诗的入选,使曾经不入流的白话新诗获得了作为审美对象的正宗鉴赏地位。可以说,现代新诗是与现代语文同步发生和发展的,没有现代新诗就没有现代语文,反之亦成立。令人深思的是,伴随现代新诗的蓬勃发展,新诗的教育地位却未见相应地提升——从新诗入选教科书的正比、作文考试中新诗体
[Abstract]:The positive influence of the revolutionary theory of the May 4th Literature directly gave birth to the creation of new poems and the exemplary works of new poems. Then, it began to change the text structure of Chinese textbooks. The new poems, such as Hu Shi, Shen Yinmo, etc., were selected, which made the vernacular new poems which had never entered the stream gained the authentic appreciation status as the aesthetic objects. It can be said that modern poetry and modern Chinese occur and develop synchronously, without modern poetry, there is no modern Chinese, vice versa. It is thought-provoking that, with the vigorous development of modern poetry, the educational status of new poetry has not been promoted accordingly.
【作者单位】：浙江师范大学教师教育学院;
【分类号】：G633.3;I207.25-4

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