“丝绸之路”题材舞剧的民族化风格呈现——从《丝路花雨》到《丝绸之路》与《丝路长城》

发布时间：2018-06-25 19:46

本文选题：丝绸之路 + 一带一路　；参考：《北京舞蹈学院学报》2017年01期

【摘要】："丝绸之路"在中国文化体系中占有重要地位,舞蹈也以自己独有的艺术魅力和语言特色进行丝路主题的创作。新时期中国舞蹈界掀起了新一轮的以"丝绸之路"为题材的舞剧创作高潮,涌现出了诸如《丝路长城》《丝绸之路》《碧海丝路》《丝路畅想》《圆梦丝路》等一系列舞剧作品。笔者选取了20世纪70年代末首部"丝路"题材的舞剧《丝路花雨》以及2016年新创舞剧《丝路长城》与《丝绸之路》为代表进行分析,讨论集中于如何在庞大的历史资源中架构起剧作并以舞蹈语言来进行表现,在舞剧的叙事性与表现性之张力中形成更强的艺术感染力。在此基础上,取更宏观的视角将其放在中国舞剧发展的文脉中以探讨其有哪些承继与新的突破,以及作为典型的中国题材怎样进行表现、如何进行当代转换以面对当下的观众等问题。
[Abstract]:The Silk Road plays an important role in the Chinese cultural system, and dance creates the theme of Silk Road with its unique artistic charm and language characteristics. In the new era, the Chinese dance circles set off a new wave of dance drama with the theme of "Silk Road", and a series of works such as "Silk Road the Great Wall", "Silk Road", "Bihai Silk Road", "Silk Road Vision", "Silk Road" and so on emerged. The writer selected the first "Silk Road" dance play "Silk Road Flower Rain" at the end of 1970s, as well as "Silk Road the Great Wall" and "Silk Road" as the representatives of the new dance drama "Silk Road" in 2016. The discussion focuses on how to construct plays in the huge historical resources and express them in dance language, and form a stronger artistic appeal in the tension of narrative and expressiveness of dance plays. On this basis, take a more macro perspective to put it in the context of the development of Chinese dance dramas to explore its succession and new breakthroughs, as well as a typical Chinese theme how to perform. How to carry on the contemporary transformation to face the present audience and so on question.
【作者单位】：北京舞蹈学院教务处;
【分类号】：J723

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