山西侯马碗碗腔名家刘秀珍之《昭君出塞》艺术研析

发布时间：2017-12-27 02:22

本文关键词：山西侯马碗碗腔名家刘秀珍之《昭君出塞》艺术研析　出处：《天津音乐学院》2017年硕士论文　论文类型：学位论文

【摘要】：山西侯马碗碗腔是流行于山西省晋南一带的乡土戏曲文化艺术,其渊源于陕西华县一带碗碗腔皮影戏,因随着北入晋地寻找生计的碗碗腔老艺人带入晋南后与当地的民间音乐元素合流而逐渐形成。山西侯马碗碗腔的演出形式主要分为两种,一种是与皮影戏同台演出,另一种则是舞台呈现,而究其两种演出方式之间一脉相承的关系,恰巧也说明了山西侯马碗碗腔的历史发展中的具体阶段,即山西侯马碗碗腔的舞台呈现是由碗碗腔皮影戏发展而来。山西侯马碗碗腔音乐风格婉转抒情,优美细腻,深得当地人们的喜爱与推崇,并出现了代代相传且富有名望的山西侯马碗碗腔艺术家:安六、廉振华、刘秀珍等,深得山西侯马碗碗腔艺术之精髓,在口耳相传的民间音乐教育模式下,一代又一代的民间艺术家他们对山西侯马碗碗腔的创作、传承与发展做出重要的贡献。本文着重于对山西侯马碗碗腔的艺术特征进行总结概括,特别是对山西侯马碗碗腔的音乐艺术特色进行具体的分析与说明,并通过对刘秀珍山西侯马碗碗腔主要代表作品《昭君出塞》的细致探究,以及对山西侯马碗碗腔当代代表人物刘秀珍的介绍,详细探析了山西侯马碗碗腔的历史发展、艺术特色、文学特色、美学特色以及发展状况等。本文的研究方法主要有以下几点:一、通过聆听戏曲音乐、阅读与碗碗腔音乐有关的文字与书籍,详细了解碗碗腔音乐以及戏曲艺术的主要特征。二、通过田野采风,走访廉振华、刘秀珍等山西侯马碗碗腔民间艺术家,深入了解其历史发展、重要特色、主要剧目、演出构成以及其在当下社会中的生存状况等。三、通过录音、视频资料的收集以及观摩,详细了解山西侯马碗碗腔的音乐发展形态、旋律走向以及唱腔发声吐字的特色等。并通过记谱,将其可听的动态乐音转化为可视的静态乐谱,从而对其音乐本体做更为细致的探究。
[Abstract]:Shanxi Houma bowl bowl cavity is the art of folk opera culture is popular in the southern Shanxi area, its origin in Shaanxi Huaxian area bowl cavity shadow, as for the livelihood of the North Shanxi bowl cavity into the old artist Jin South and local folk music elements and gradually formed confluence. Shanxi Houma bowl bowl cavity performance form is mainly divided into two types, one is the show and shadow play on the same stage, another is the stage show, the same relationship between the two kinds of performances, it also illustrates the specific historical development stage of Shanxi Houma bowl bowl cavity in the Shanxi Houma bowl the stage is composed of cavity bowl bowl cavity shadow play and. Shanxi Houma bowl bowl cavity melodious music style of lyrical, beautiful and delicate, won the local people love and esteem, and the emergence of the prestigious Shanxi Houma be handed down from age to age and bowl cavity Artist: Lian Zhenhua, Liu Xiuzhen, six, won the Shanxi Houma bowl bowl cavity at the mouth of the essence of art, folk music education mode and make an important contribution to generations of folk artists in Shanxi Houma bowl cavity in the creation, inheritance and development. This paper focuses on the artistic characteristics of the Shanxi Houma bowl bowl cavity were summarized, especially for the Shanxi Houma bowl bowl cavity music artistic characteristics and detailed analysis and explanation, and through careful exploration of the Liu Xiuzhen Shanxi Houma bowl bowl cavity mainly works on behalf of "" Zhaojun ChuSai ", as well as the introduction of Shanxi Houma bowl bowl cavity contemporary representative Liu Xiuzhen of Shanxi, with the Houma bowl bowl cavity art history, characteristics, literary characteristics, aesthetic characteristics and development status. The main research methods of this paper are as follows: first, listen to opera music, reading and bowls and chamber music related words and books, and understand the main characteristics of bowl bowl music and drama art. Two, through field trips, visiting Lian Zhenhua, Liu Xiuzhen Shanxi Houma bowl bowl cavity folk artist, in-depth understanding of its historical development, main characteristics, main performance and its repertoire, in contemporary society, survival status. Three, through audio, video data collection and observation, a detailed understanding of the Shanxi Houma bowl bowl cavity development form, melody and music singing voice articulation features. And through the notation, it transforms the audible dynamic music into the visible static music, so as to make a more detailed inquiry to its music ontology.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J825;J617.5

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