从“自我同一性”看“80后”写作主题的精神变迁

发布时间：2017-12-27 08:34

本文关键词：从“自我同一性”看“80后”写作主题的精神变迁　出处：《山东大学》2017年硕士论文　论文类型：学位论文

【摘要】："80后"写作虽然自得名之初便受到争议,但已在十余年的发展历程中表现出了代际层面的文化特征与更多的"严肃文学"性质。2006年开始,"80后"的一部分代表作家推出"转型之作",表现主题逐渐脱离"青春写作"范畴而转向"社会化";2010年以来,一部分从纯文学期刊成长起来的"80后"作家开始引起文坛注意,使"80后"写作的整体景观更加丰富,表现出较为明显的向主流文坛靠拢的倾向。本文的研究对象是"80后"写作在主题方面的变迁及其精神特质。"80后"写作主题的精神变迁源出于"80后"作家的精神流变,故借助"自我同一性"心理学理论,通过阐述"80后"作家在"自我认知"问题上的发展与变化,分析"80后"写作主题之精神变迁与内在原因。绪论部分首先对"80后"写作进行历时梳理,明确两次转型期的阶段性特征并概述学界研究现状,其次对本文所持的"代际"观念进行文化视野中的阐述,最后对"自我同一性"理论与"80后"写作的精神相通性进行论述,并明确本文对该理论的引述范围。第一章立足于"80后"作家在自我身份认知层面的问题,讨论其写作主题与姿态的前后变化。随着自我意识之社会化程度的加深,"80后"作家的写作主题从残酷青春转为与父辈的对话沟通,写作姿态也从对抗转为和解。第二章围绕"80后"作家的主体意识,讨论他们对"大我与小我"、"宏大叙事与个人化书写"的创作实践。早期"80后"写作通过"小我"视角以决绝姿态标榜其对宏大话语的疏离,后期则在"小我"立场的基础上试图对宏大叙事进行反思与观照。虽然"80后"作家之鲜明的个人化立场是一以贯之的,但其题材在社会历史层面的开拓表明,这一写作群体已逐渐从沉溺于自我的状态中脱离出来,迈向了更广阔的创作领域。第三章从"社会性格"的角度切入"80后"写作,分析其城市书写的主题变迁。早期"80后"作家的生活场域以城市为主,但其创作中的"城市"只是一个文化符号,甚至其作品中对物质与都市文明的渲染与所写主题呈现出了悖论性矛盾。后期的部分"80后"作家开始关注"都市边缘人"的生存状态,在"城乡"叙事的维度上进行了生存实景中的人性探索。结语部分总结"80后"写作在主题与表达姿态上的转变,提出其当下的精神困境与写作难题:在"个性化与社会化"、"表达自我与为群体代言"这一层面,"80后"作家仍处于混沌摸索的状态。但是,他们的文学实践早已超越了单纯的"文化现象"层面,并且表现出越来越开阔的社会视野和传统意义上的承担意识,以"鲜明的个人化风格"和"冷静的狂欢姿态"将学院化与商业化写作打通,成为了主流文坛可以期待的一个留下了 "时代痕迹"的写作群体。
[Abstract]:Although 80's writing is controversial at the beginning of its self fame, it has shown the characteristics of intergenerational level and more serious literature in the past decade's development. The beginning of 2006, "80" part of the representative writer of "transformation", launched the theme gradually from "youth writing" category to "socialization"; since 2010, part of the pure literary journals grow up "after 80s" writers began to have attracted attention, the overall landscape of 80's writing more rich, showing obvious closer to the mainstream literary tendency. The research object of this paper is the changes in the theme of "post-80s" writing and its spiritual characteristics. The spiritual change of the theme of the 1980s is rooted in the mental transformation of the post-1980s writers. With the help of the psychological theory of ego identity, this paper expounds the spiritual changes and internal causes of the theme of the 1980s after elaborating the development and changes of the post-1980s writers' self cognition. The introduction part firstly combs the "after80" writing, clear the two transition stage characteristics and current research situation of this overview, followed by the "generation" concept in the field of culture is elaborated, and finally discusses the "self identity" theory and the "after80" Writing Spirit in this paper, and clearly on the theory from the scope of. The first chapter is based on the problem of "post-80s" writers in the level of self identity, and discusses the changes of their writing themes and postures. With the deepening of socialization of self consciousness, the writing theme of post-1980s writers turned from cruel youth to dialogue with their parents, and writing posture also changed from confrontation to reconciliation. The second chapter focuses on the writers' subjective consciousness, and discusses their creative practice of "big ego and ego", "grand narrative and personal writing". The early 80s "writing by the" ego "perspective to a positive attitude to flaunt their grand discourses, the latter in the" ego "position on the basis of trying to rethink and contemplation of the grand narrative. Though the distinct personalization position of the post-1980s writers is consistent, the development of their themes at social and historical level indicates that this writing group has gradually stepped away from the state of addiction to self and has gone to a wider field of creation. The third chapter from the angle of "social character" to cut into the "post-80s" writing, analysis of the theme of the changes in urban writing. In the early 1980s, the life field of the "80 generation" writers is mainly urban, but the "city" in their creation is just a cultural symbol. Even in his works, there is a paradoxical contradiction between the theme of rendering and the theme of material and urban civilization. The latter part of the post - 1980s writers began to pay attention to the living state of the "urban fringe", and carried out the exploration of human nature in the dimension of "urban and rural" narrative. The conclusion part summarizes the transformation of "80 generation" writing in the theme and expression attitude, and puts forward its current spiritual dilemma and writing difficulties: in the aspect of "personalization and socialization", "expressing oneself and speaking for groups", the post-1980s writers are still in the state of chaos exploration. However, their literary practice has already gone beyond the purely "cultural phenomenon" level, and appear to be more open and the view of social consciousness and the traditional sense, with distinct personal style "and" calm attitude Carnival "will college and business writing had become a mainstream literary left you can look forward to the" signs of the times "writing group.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.7

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