论《清明上河图》中的人物布局

发布时间：2017-12-27 15:30

本文关键词：论《清明上河图》中的人物布局　出处：《中央美术学院》2017年硕士论文　论文类型：学位论文

【摘要】：《清明上河图》是北宋风俗画的杰出代表作。在其画卷中描绘了包含众多人物、建筑、车船、工具、树木的汴京图景,它与以表现人物为重点的风俗画有其特殊性,同时也与着重描绘建筑、车船的界画有着很多共性。由于此画中描绘的人物、界画元素场景之多,它为深入研究画中人物之间以及人物与建筑、车船、工具等背景间的布局安排提供了数量可观的图像范本。研究《清明上河图》的人物布局规律不仅可解析该画的人物构图奥秘,同时对归纳宋代风俗画、界画的人物安排及指导当今城市题材绘画的创作起到积极作用。本文以分析《清明上河图》的图像为重点,并与其他风俗画、界画作品做比较从画中人物的疏密布局、人物的遮挡关系、人物的空间比例三方面来深入论述此画的人物布局规律。
[Abstract]:"Qingming Festival" is an outstanding representative of Northern Song Dynasty genre painting. In the picture depicted in the picture contains many characters, Bianjing buildings, vehicles, tools, trees, it has its particularity and the characters as the focus of the genre painting, but also with the focus on describing the construction of vehicles, there are many common painting circles. Due to the number of scenes and elements in the painting, it provides a considerable number of image templates for in-depth study of the layout of characters in paintings, as well as between characters and buildings, vehicles, tools and other backgrounds. The character layout of "painting" can not only analyze the composition of figure paintings in mystery, and the induction of Song Dynasty, painting characters arrangement and guiding the current city painting creation has played a positive role. Based on the analysis of the "image painting" as the focus, and other custom painting, painting circles space proportion from the painting density layout, characters, characters of occlusion in three aspects of in-depth discussion of the distribution characters.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【相似文献】