题画诗缘起研究

发布时间：2017-12-28 12:18

本文关键词：题画诗缘起研究　出处：《武汉大学》2017年硕士论文　论文类型：学位论文

【摘要】：随着跨学科研究在学术界的勃兴,作为诗画交汇碰撞产生的文学样式,题画诗走进了越来越多研究者的视野之中,关于其独特的文学特征和审美价值,历来学者己多有探讨,然而这种探讨集中在题画诗繁荣发展的唐宋元明清时期,其早期缘起过程没有得到学界足够的关注和重视。题画诗缘起于六朝时期,由于此阶段题画诗的艺术形式不够完备,数量较少,故而少有研究者涉及,但从文体生成角度来看,一种文体的缘起往往决定着它的存在方式和未来发展演变,因此对题画诗缘起阶段的关注至关重要。本文以题画诗缘起为研究对象,深入探讨题画诗之所以产生的各方面因缘,以期充分说明六朝题画诗存在的合理性,并对题画诗缘起在整个题画诗发展中的意义有一个更加清晰的认识。绪论部分论述了题画诗缘起的研究现状。关于题画诗缘起的研究目前主要集中在两个方面,一是对题画诗起源开端的探讨,二是在梳理题画诗发展过程中对题画诗缘起阶段进行简单概括。第一章论述题画诗的概念和风貌特征。题画诗概念部分首先对题字的含义进行分析,认为题字不仅有题写之意,还有观赏评价之义。然后对题画诗进行文体辨析,理清了诗意图、乞画诗、配画诗、画赞、咏画扇诗、咏画屏风诗与题画诗的异同,认为六朝部分画赞、还有咏画扇诗和咏屏风诗可以纳入题画诗范畴。最后给出题画诗的广义和狭义定义,认为狭义题画诗是观画后创作并题写在画面之上的诗歌,而广义的题画诗应该是观画而作,内容涉及画面的诗歌。在理清题画诗概念问题之后,从内容和艺术形式两个方面概括了题画诗的风貌特征,为下文深入题画诗缘起研究奠定研究基础。第二章概述题画诗的缘起过程。从中国文字语言与图像关系的历史发展入手,分析从汉代人物画像题榜到画赞、画颂、铭文,再到咏画扇诗、咏屏风诗这一过程中语图关系的发展变化,阐释题画诗在文字绘画内容上结合越来越紧密的过程中产生。第三章论述六朝社会风气与题画诗缘起关系。深入探讨六朝文人如何在当时社会的咏物、铭物、宫体诗创作风气和文学绘画创作互融的风气影响下热衷于绘事,并将审美眼光转向绘画图饰,对画本身进行细致刻画。第四章论述六朝诗画新发展与题画诗缘起的关系。深入分析咏物诗写作技法、宫体诗画面捕捉技法、山水画观赏、创作模式以及山水诗创作手法对六朝文人题画诗创作生成的影响。第五章论述六朝文人审美心态与题画诗缘起的关系。从六朝文人的审美注意、审美想象、审美人格三个层面对六朝文人审美心态进行剖析,并探讨它们为六朝文人题画诗创作提供的心理基础和精神动力。论证六朝文人审美心态对题画诗生成缘起的作用。
[Abstract]:Along with the development of interdisciplinary research in the academic circles. The intersection collision as poetry and literary style, poems into more and more researchers view, about its unique features and aesthetic value of literature, scholars have discussed many, however, this discussion focuses on the prosperity and development of the poems of Ming and Qing Dynasties period, the the early origin of the process did not get enough attention in academic circles. Tihuashi originated from the Six Dynasties period, due to the stage of painting poems art form is not complete, the number is less, so few researches, but from the perspective of the origin of the generation of style, a style often determines its existence and development in the future, it is crucial to draw attention stage poem origin problem. In this paper, the origin of the poems as the research object, the causes of in-depth study of poems was born, in order to fully explain the rationality of the existence of the poems, and have a more clear understanding of the meaning of poems in the origin of poems in the development. The introduction part discusses the research status of the origin of the poems. Study on the origin of the poems are mainly concentrated in the two aspects, one is to discuss the origin of the beginning of the two poems, is a simple generalization of tihuashi origin stage in the development process of combing poems. The first chapter discusses the concept and features of painting poems. Tihuashi concept part of the inscription meaning analysis, that the inscription not only inscribed in Italy, as well as ornamental evaluation of righteousness. Then a stylistic analysis of painting poems, clarify the similarities and differences of poetry, painting, poetry for poetry, art, poems with paintings painting fan poetry, chanting poetry and painting screen poems, art, and part of that six Yong fan painting poetry and singing poems can be incorporated into the category of wind screen. Finally to the topic of the broad and narrow definition of painting poems, poems is the narrow sense concept of painting after creation and inscribed in the picture of poetry, and generalized poems should be the concept of painting and poetry, content involves the picture. After clarifying the poems from the aspects of concept, content and artistic form two summarizes the features of painting poems, which lays a foundation for further research on the origin of the poems below. The second chapter outlines the origin of the process of painting poems. Starting from the historical development of the relationship between Chinese text language and image analysis, from the Han Dynasty portrait art, painting to list title song, inscription, to chant poems, poems on painting fan change screen of wind in the process diagram language, interpretation of poems combine to produce more and more closely in the process of painting in the text content. The third chapter discusses the social ethos and tihuashi origin relations. The writers discuss how to chanting, in the society at that time, Ming Palace poetry creation atmosphere and literary painting interaction atmosphere under the influence of keen on painting, and the aesthetic vision to painting patterns, the paintings depict itself. The fourth chapter discusses the relationship between the new poetry and the poems of the origin and development. Deep analysis of Yongwu poetry writing techniques, poetry and landscape painting techniques to capture the effect of screen viewing, creation mode and landscape poetry creation of the poets poems generated. The fifth chapter discusses the relationship between the literati aesthetic mentality and the origin of the poems. To analyze the aesthetic mentality of the scholars from the face of the Six Dynasties literati aesthetic attention, aesthetic imagination, aesthetic personality of the three layer, and explore the psychological basis and spiritual motivation they provide for poems of the six dynasties. The role of the scholars to demonstrate the aesthetic mentality of the poems of origin.
【学位授予单位】：武汉大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22;J212

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