巩义石窟寺北魏后期飞天艺术样式的中土化研究
发布时间:2018-01-01 12:06
本文关键词:巩义石窟寺北魏后期飞天艺术样式的中土化研究 出处:《北京服装学院》2017年硕士论文 论文类型:学位论文
【摘要】:魏晋南北朝的佛教雕塑史是一部不断民族化、中国化的历史。佛教艺术自印度进入中华大地,与中国本土的时代背景、文化土壤、审美趣味等发生反应,经历碰撞、交融的过程,在此扎根。佛教艺术风格逐渐由外来艺术样式过渡到完全中国式审美的中土化艺术样式。北魏时期,良好的政治根基、相对完备的社会基础环境与自由开放的文化土壤为佛教在中国的迅速传播以及佛教艺术的中土化发展创造了重要条件。本文据此展开分析和讨论,首先,以时间和地点为转移,概述早期印度的天人风格以及飞天艺术东渐过程中不同地域、阶段艺术风格的流变,梳理了飞天艺术样式大致的发展源流。随后,论述中土化飞天艺术样式的审美特点和形成艺术风格背后的综合影响因素。最后,从巩义石窟飞天艺术样式的风格特点及飞天视觉表象背后的隐性审美趋向,着重阐述了巩义石窟飞天艺术的中土化发展概况。论文结语部分,总结了巩义石窟寺飞天的中土化进程,鉴古思今,由此引发了对于当代艺术的思考——中国的当代艺术如何处理和把握外来艺术形态与中国民族艺术的关系。
[Abstract]:The history of Buddhist sculpture in Wei Jin and Southern and Northern dynasties is a nationalized and Chinese history. Buddhist art from India into the land of China with the Chinese local background cultural soil aesthetic taste and other reactions. The Buddhist art style gradually transition from the foreign art style to the completely Chinese aesthetic Chinese style of art. The Northern Wei Dynasty period, the good political foundation. The relatively complete social basic environment and free and open cultural soil have created important conditions for the rapid spread of Buddhism in China and the development of Buddhist art in China. With time and place as the transfer, this paper outlines the early Indian style of Heaven and Man, as well as the evolution of different regions and stages of art style in different regions during the eastward development of Feitian Art, and combs the general development source of Feitian Art style. This paper discusses the aesthetic characteristics of the mid-earth Feitian art style and the comprehensive influencing factors behind the formation of the artistic style. Finally, from the Gongyi Grottoes Feitian art style style style characteristics and the hidden aesthetic trend behind the Feitian visual image. This paper focuses on the development of the art of flying heaven in Gongyi Grottoes. The conclusion of the paper summarizes the process of the mid-earth in Gongyi Grottoes Temple. This led to the consideration of contemporary art-how to handle and grasp the relationship between foreign art forms and Chinese national art.
【学位授予单位】:北京服装学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:K879.3;J315
【参考文献】
相关期刊论文 前3条
1 宫治昭;王云;;印度佛教美术系列讲座之三——巴米扬与克孜尔的佛教美术[J];艺术设计研究;2012年02期
2 李光明;;试析巩县石窟北魏造像风格和变化[J];中原文物;2009年01期
3 费泳;论南北朝后期佛像服饰的演变[J];敦煌研究;2002年02期
,本文编号:1364420
本文链接:https://www.wllwen.com/shoufeilunwen/zaizhiboshi/1364420.html
教材专著