基于唐诗创作的中国当代钢琴作品技法研究

发布时间：2018-01-06 08:06

本文关键词：基于唐诗创作的中国当代钢琴作品技法研究　出处：《华东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：本文致力于研究基于唐诗创作的中国当代钢琴作品中对中国传统文化观念的阐述,借助唐诗的角度对钢琴作品进行分析与解读。文章中,笔者试图从音乐与唐诗交叉的范畴,围绕作品中音乐与唐诗之间的联系展开讨论。通过对六部基于唐诗创作的中国当代钢琴作品进行分析,结合唐诗与音乐中"具象"和"意象"两个方面来阐述,旨在厘清作品中音乐元素的"具象"和音响形态的"意象"。本论文共有五个章节,可分为三个部分。第一部分为第一章绪论;第二部分是第二、三、四章,第二章基于文献资料的基础上,对四位中国当代作曲家与中国唐诗进行梳理,并尝试对六部钢琴作品的音乐语言进行探讨、第三、四章,通过唐诗与音乐的"具象"与"意象"两个方面对六部钢琴作品从结构形态、节奏形态及音响形态等方面进行分析;第三部分为第五章,探讨基于唐诗创作的中国当代钢琴作品的审美取向。
[Abstract]:This paper is devoted to the study of Contemporary Piano Works China based on Tang poetry creation of Chinese traditional culture concepts, through the analysis and interpretation of the piano works of Tang Dynasty. In this article, the author tries to cross from the music and poetry category, around between works of music and poetry of the Tang contact is discussed. Based on the six based on the Tang poetry creation Chinese Contemporary Piano Works analysis, combining the two aspects of poetry and music in "concrete" and "image" to explain, to clarify the musical elements in the works of "concrete" and "image" sound form. This thesis consists of five chapters, can be divided into three parts. The first part the first chapter is the introduction; the second part is the second, third, four chapter, the second chapter is based on the basis of the literature, the four Chinese contemporary composers were sorted out and Chinese poetry, and tries to six piano works of music language The third, fourth chapter, through the discussion, poetry and music "concrete" and "image" of the two aspects of the six piano works from the aspects of structure, rhythm and sound form shape were analyzed; the third part is the fifth chapter, the aesthetic orientation of contemporary Chinese piano works based on the Tang poetry creation.

【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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