李泽厚实践美学的“本体论”思想研究

发布时间：2018-01-09 18:03

本文关键词：李泽厚实践美学的“本体论”思想研究　出处：《华东师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：李泽厚作为具有国际影响力的美学学者,对中国美学发展及其现代性转型作出了巨大贡献。他的美学思想具有鲜明的原创性、前瞻性和丰富性,尤其是以"本体论"为主线的实践美学思想,贯穿了李泽厚整个美学研究生涯。李泽厚美学思想中的"本体"是一个复杂的群体范畴,不可以简单地理解为一元论的本体,在对"本体"范畴的梳理整合时应该充分结合李泽厚美学思想的其它概念和理论观点,在具体的语境中阐述"本体论"的内涵和意蕴,用马克思主义辩证发展的眼光考量李泽厚实践美学的"本体论"思想的动态发展过程。"工具本体"作为本体概念的最初形态,是主体性实践哲学的重要成果,也是回答"人类如何可能"的根本指向,在"人类学历史本体论"的视野下,李泽厚开始关注人类社会文化心理层面,"心理本体"渐渐浮出水面,成为焦点,"工具本体"自然地退居幕后,完成了重点的转向,这时"工具本体"所蕴含的思想成为了李泽厚转向伦理学领域的基础,如"情本体"的提出。因此,我们要跳出一元论或者二元论的框架来看待李泽厚的"本体论"问题,从范畴和理论的发展角度审视"本体"概念的演变过程。李泽厚实践美学的"本体论"思想既是动态的、多维的,又是立体的、丰富的,从"工具本体"出发,重视社会与实践,到"情本体"的提出,回归人性与伦理,这是一个渐次推进的过程,是结合西方美学与中国古典美学的创新性发展。本文以李泽厚实践美学的"本体论"思想渊源及其发展历程为突破口,重点阐释"工具本体"、"度本体"、"心理本体"、"情本体"的内涵和"本体"范畴之间的逻辑问题,试图达到从整体上梳理和把握李泽厚实践美学的思想内涵,并且系统地展现出李泽厚实践美学的"本体论"思想的价值和意义。
[Abstract]:Li Zehou, as an aesthetician with international influence, has made great contributions to the development of Chinese aesthetics and its modern transformation. His aesthetic thoughts are original, forward-looking and rich. In particular, the practical aesthetic thought with ontology as the main line runs through Li Zehou's whole aesthetic research career. The ontology in the aesthetic thought of Li Zehou is a complex group category. It can not be simply understood as the ontology of monism. In combing and integrating the category of "Noumenon", we should fully combine other concepts and theoretical viewpoints of Li Zehou's aesthetic thought. The connotation and meaning of "ontology" are expounded in the specific context. The dynamic development process of Li Zehou's "ontology" thought of practical aesthetics is considered with the view of Marxist dialectical development. "tool Noumenon", as the initial form of ontology concept, is an important achievement of subjective practical philosophy. In the view of anthropological historical ontology, Li Zehou began to pay attention to the psychological level of human society and culture, and the "psychological ontology" gradually emerged and became the focus. "tool Noumenon" naturally retreated behind the scenes, completed the focus of the turn, then "tool Noumenon" contained in the idea of turning to the field of ethics Li Zehou became the basis, such as "emotional Noumenon" put forward. We should look at Li Zehou's "ontology" beyond the framework of monism or dualism. This paper examines the evolution of the concept of "Noumenon" from the perspective of category and theory development. Li Zehou's "ontology" of practical aesthetics is not only dynamic, multidimensional, but also three-dimensional and rich, starting from the "tool Noumenon". It is a gradual process to pay attention to society and practice, to put forward the "emotion Noumenon" and to return to human nature and ethics. It is the innovative development of the combination of western aesthetics and Chinese classical aesthetics. This paper focuses on the explanation of "tool Noumenon" and "degree Noumenon" by taking Li Zehou's thought origin and development course of practical aesthetics as the breakthrough point. The connotation of "psychological ontology", "emotion ontology" and the logical problems between "ontology" category, trying to achieve the overall comb and grasp Li Zehou's ideological connotation of practical aesthetics. And it systematically shows the value and significance of Li Zehou's ontological thought of practical aesthetics.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I01

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