论海派绘画的艺术特色

发布时间：2018-01-16 21:23

本文关键词：论海派绘画的艺术特色　出处：《吉林大学》2017年硕士论文　论文类型：学位论文

【摘要】：清末民初,起始于上海的海派绘画,经过一百多年的发展,成为中国绘画史上一支重要的艺术流派,参与画家众多,持续时间绵长,绘画风格多样,在整个美术史上是不多见的,意义重大影响深远。本文所关注的就是海派绘画从形成到发展到鼎盛期间各代表画家的艺术特色以及对我创作的感悟的研究。本文通过阐述海派绘画发展历程,分析代表性画家的艺术风格,从而指导自己今后写意人物画的创作。本文由绪论、正文、结论三部分组成。绪论主要是对论文选题背景及研究意义、研究方法和研究现状进行了介绍,对已有文献进行整理分析的同时阐述自己的见解与创新之处。论文正文分为五个部分进行论述:第一部分阐述海派绘画的各个维度的发展背景,从内因到外因,从社会到画家本人的从艺方式、生存状态的变化,以及专业美术社团的出现和印刷等新技术的出现对海派发展的影响,全方位刨析海派绘画崛起的原因;第二部分浅析了海派绘画各时期代表画家,赵之谦、任伯年、吴昌硕的绘画风格,运用大量的图片素材进行分析阐述;第三部分系统重点总结海派绘画的艺术特色、时代性、继承性、创新性、多元性、人文性等;第四部分阐述了海派绘画的历史地位以及现实意义;第五部分总结海派绘画艺术对写意人物画创作的影响,阐述海派绘画对自身学习艺术创作的指导意义,并列举了几张在论文撰写期间的创作,总结写意人物画创作的趋势。
[Abstract]:At the end of the Qing Dynasty and the beginning of the Republic of China, the Shanghai School of painting, which began in Shanghai, after more than 100 years of development, has become an important art school in the history of Chinese painting, taking part in many painters, lasting for a long time, and painting various styles. It is rare in the history of art. This paper focuses on the artistic characteristics of the representative painters from the formation to the development to the peak of the period and the study of my creative perception. This paper expounds the development process of the Shanghai School painting. This paper consists of three parts: introduction, text and conclusion. The introduction is mainly about the background and significance of the thesis. The research methods and research status are introduced. The text of the paper is divided into five parts: the first part describes the development background of each dimension of Shanghai painting, from internal to external causes. From the society to the painter himself from the art way, the survival state change, as well as the specialized fine arts association appearance and the printing and so on new technology appearance to the Shanghai school development influence, omni-directional analysis Shanghai school painting rise reason; The second part analyzes the painting style of the representative painters, Zhao Zhiqian, Ren Bonian and Wu Changshuo in each period of the Shanghai School painting, and uses a large number of picture materials to analyze and expound. The third part systematically summarizes the artistic characteristics, the times, the inheritance, the innovation, the pluralism, the humanity and so on. Part 4th expounds the historical status and practical significance of Shanghai painting; The 5th part summarizes the influence of Shanghai School painting art on freehand figure painting creation, expounds the guiding significance of Shanghai School painting on its own learning art creation, and enumerates the creation of several pieces during the writing of the thesis. Summarize the trend of freehand figure painting creation.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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