歌剧《费加罗的婚礼》中伯爵夫人的人物刻画

发布时间：2018-01-31 12:12

本文关键词： 伯爵夫人咏叹调人物刻画歌剧演唱　出处：《云南艺术学院》2017年硕士论文　论文类型：学位论文

【摘要】：《费加罗的婚礼》是莫扎特最杰出的三部歌剧中的一部喜歌剧,完成于1786年,意大利语脚本由洛伦佐·达·彭特根据法国戏剧家博马舍的同名喜剧改编而成。《费加罗的婚礼》至今仍是各大歌剧院上演次数最为频繁的歌剧之一,有如天籁的歌声和错综复杂的男女人物关系,宛如角力般、层出不穷的小计谋和角色错乱的对白,至今仍是许多观众念念不忘的经典。本文旨在对剧中伯爵夫人的咏叹调《求爱神给我安慰》和二重唱《待微风微微吹过》进行音乐分析,打算从伯爵夫人罗西娜的人物心理刻画入手,来分析这个人物角色。然后通过角色延伸出她与全局的关系,以及人物对全剧的推动作用等本文的侧重点在于伯爵夫人的人物刻画以及她的性格和心理变化。通过饰演这个角色、演唱分析她的作品时要注意的东西,对伯爵夫人这一角色有了更深层次的了解,她的艺术魅力令作者着迷。以此为根据,来对莫扎特这部广为流传的歌剧进行细致简要的了解和分析。
[Abstract]:Figaro's Wedding is one of Mozart's three most outstanding operas, completed in 1786. The Italian script, adapted from French dramatist Bermatcher's comedy of the same name, is still one of the most frequently performed operas in the major opera houses. Like the sounds of nature and the intricate relationship between men and women, like a struggle, endless small strategies and roles of confusion of dialogue. It is still a classic for many viewers to remember. This article aims to analyze the aria of the countess, "comfort me from the Lord of Love" and the duet, "to be slightly blown by the breeze". It is intended to analyze the character from the psychological portrayal of the countess Rosina, and then to extend her relationship with the overall situation through the role. The emphasis of this paper is on the portrayal of the countess and her character and psychological changes. On the basis of a deeper understanding of the role of the countess and her fascination with her artistic charm, Mozart's popular opera is carefully and briefly understood and analyzed.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.2

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