论格非小说中的传统文化资源

发布时间：2018-03-06 02:36

本文选题：格非　切入点：传统文化　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：在人们惯常的认知视野中,格非多以先锋作家示人,西方现代派文学实验色彩甚是浓厚。其实,作为学者型作家,格非在先锋时期的创作,已经吸纳了诸多传统文化资源。那些具有形式主义实验的作品中依然可见古典文学、神秘主义文化、传统哲学观的痕迹。其在新世纪的小说创作,向传统文化复归之趋势则更加彰显在目。格非小说关注个体生命、生存的困境,关注人的精神状况,探寻着人类精神出路的存在之思,借助中国传统神秘文化而抵达。他融合神秘主义宿命观,书写人之无可逃遁的命运,呈示对人类生命困境的思考。通过叙述神秘的梦境,触摸与窥测人内心深处的隐秘角落。塑造巫鬼式人物,表达对理性的质疑与反思。设置神秘意象,实乃天人感应的投射,诉说着人之无力感。格非小说叙述知识分子建构民族国家与社会理想的“乌托邦”之冲动,与中国古代的“桃花源”式的理想悠然相通。不同时代的知识分子的种种“乌托邦”理想,抑或建构“大同”之邦,或面对现实残酷而归隐林泉,或追求精神超越,均与儒家、道家、禅宗等中国传统文化资源密切勾连。格非小说在艺术形式上与古典文学构成了一定程度的“互文性”。语言策略上,作家借鉴古典诗词,仿拟古典文体,使小说的语言呈现精致典雅、韵味悠长的特质。小说氛围上注重意境营造,亦是对古典诗文传统的承袭。小说文体上,多有对日记、书信、传记、墓志铭等古典文体的仿写。故事讲法上,则借鉴了古典小说的白描手法与世情故事传统。格非小说中充盈着诸多传统文化资源,除了作家自身的经历之外,更多的有着“发明传统”的意涵,透递着作家对于中国文学自主性、先锋文学创作困境、写作平庸化等多方面的现代性焦虑。在当下询唤以“中国经验”书写“中国故事”的时代语境下,格非小说对中国文化资源的借鉴与创化,是值得肯定的,亦可为新世纪中国文学良性持续发展之路,提供某些有益的镜鉴。
[Abstract]:In people's usual cognitive view, Ge Fei often presents people with vanguard writers, and Western modernist literature has a strong experimental color. In fact, as a scholarly writer, Ge Fei created works in the pioneer period. Has absorbed a lot of traditional cultural resources. The works with formalism experiments can still be seen in classical literature, mysticism culture, traditional philosophy, its novel creation in the new century, Ge Fei's novels focus on the plight of individual life and survival, pay attention to the spiritual condition of human beings, and explore the existence of human spiritual outlet. With the help of Chinese traditional mysterious culture, he fuses mystical fatalism, writes the inevitable fate of human beings, presents his thoughts on the plight of human life. By narrating mysterious dreams, Touch and peep at the hidden corner of man's heart. Shape the wizards and ghosts to express doubts and reflections on reason. Setting up mysterious images is in fact the projection of nature and human induction. Ge Fei's novel narrates the impulse of "utopia" for intellectuals to construct a nation-state and social ideal. The various utopian ideals of intellectuals in different times, or the construction of a "Datong" state, or the cruel and hidden Lin Quan in the face of reality, or the pursuit of spiritual transcendence, are all related to Confucianism. The traditional Chinese cultural resources such as Taoism and Zen are closely connected. Ge Fei's novels have a certain degree of "intertextuality" with classical literature in terms of artistic form. It makes the language of the novel appear exquisite and elegant, and has a long lasting appeal. The atmosphere of the novel pays attention to the creation of artistic conception and inherits the tradition of classical poetry and prose. In the style of the novel, there are more diaries, letters, biographies, The parody of epitaph and other classical styles. In the narrative of the story, we draw lessons from the white drawing of the classical novel and the tradition of the love story. Ge Fei's novels are filled with many traditional cultural resources, except for the writer's own experience. More have the meaning of "invention tradition", pass through the writer to Chinese literature autonomy, pioneer literature creation predicament, The mediocrity of writing and other aspects of modernity anxiety. In the context of "Chinese experience" to write "Chinese story", Ge Fei's novels are worthy of recognition for their reference and creation of Chinese cultural resources. It also provides some useful lessons for the benign and sustainable development of Chinese literature in the new century.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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