浅议禅宗思想在日本动画中的表现与应用

发布时间：2018-03-06 11:43

本文选题：日本动画　切入点：禅宗思想　出处：《武汉纺织大学》2017年硕士论文　论文类型：学位论文

【摘要】：日本的动画与禅宗思想从表面上看似乎并无直接联系。但深入解读不难发现,禅宗作为一种历史沉淀下的传统文化,融入了日本人生活的方方面面,同时也渗透到文学和艺术创作之中。本论文从禅境的传统宗教意义、审美心理阐释入手。从禅宗自印度经中国传入日本后的发展历程为开端,综合同期日本动画在九十年发展中的各阶段特点,分析动画与禅宗二者之间相互联系的必然性,探寻出禅宗思想与艺术创作的关系,提炼出“生命思想”和“心性之悟”两个核心。通过对禅的溯源、境的义界、禅宗思想与艺术审美关系的研究,证明了禅境的审美思维已经深深的积淀于日本人的心中,作为艺术创作的审美范则和心理追求而存在。因此,在禅境融合大环境下诞生的日本动画,追源其历史,也定有着与其结合的必然性。笔者以当下日本较有影响力的动画作品为例,从故事取材到人物场景设定,再到对白语言和叙事结构,对禅境的视觉艺术表现进行一一分析和归纳,综合日本禅宗思想特点,论证禅境审美己经渗透到视觉艺术的理论和实践中,对日本动画的形成造成了深远的影响。论文从文化融合的角度,得出动画为禅境提供丰富的表达途径;禅境为动画构筑神圣的精神内核的判断。期望借用禅直指本心、明心见性、留意当下、超越理性而重直觉的理念,作为日本动画发展的核心内涵,引以为鉴,为学习者在动画创作上提供更为广阔的视野。
[Abstract]:Japanese animation and Zen thought seem to have no direct connection on the surface. However, it is not difficult to find that Zen, as a traditional culture under the historical precipitation, has been integrated into all aspects of Japanese life. At the same time, it also penetrates into literature and art creation. This thesis begins with the traditional religious meaning of Zen, the interpretation of aesthetic psychology, and the development of Zen Buddhism from India to Japan through China. Based on the characteristics of different stages of the development of Japanese animation in the same period in 1990, this paper analyzes the inevitability of the interrelation between animation and Zen Buddhism, and explores the relationship between Zen thought and artistic creation. Through the study of the origin of Zen, the realm of righteousness, the relationship between Zen thought and artistic aesthetics, it is proved that the aesthetic thinking of Zen has been deeply accumulated in the hearts of the Japanese. Therefore, Japanese animation, born in the context of Zen integration, has its roots in its history. The author takes Japan's more influential animation works as an example, from the material of the story to the setting of the scene of the characters, and then to the dialogue language and the narrative structure. This paper analyzes and summarizes the visual art performance of Zen, synthesizes the characteristics of Japanese Zen thought, and proves that the aesthetics of Zen has penetrated into the theory and practice of visual art. From the perspective of cultural integration, the paper draws a conclusion that animation provides a rich way of expression for Zen, and Zen is the judgment of constructing the sacred spiritual core of animation. The idea of transcending reason and attaching importance to intuition is the core connotation of the development of Japanese animation and provides learners with a broader vision in animation creation.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

【参考文献】