当代中国古典舞体系发生、发展研究
发布时间:2018-03-22 06:20
本文选题:当代中国古典舞体系 切入点:发生 出处:《沈阳师范大学》2017年硕士论文 论文类型:学位论文
【摘要】:舞蹈作为一门的表演艺术,当代中国古典舞,自有它的年轻而又古老的双重人格。一说当代中国古典舞的年轻是在于其形成了自己的理论基础和表演模式,仅仅是在1949年新中国建立之后的半个多世纪,其形态、概念、内涵,也在半个多世纪之中不断地发展、丰富并且拓展;二说当代中国古典舞的古老是在于舞蹈这门艺术,本身就带着历史的厚重却又沉淀在中华古典文化和独特的民族美学思想的沃土之中。特别是在中华民族所尊崇的儒家、道家、佛家等宗教思想的一些观念,为这门舞蹈表演艺术注入了独特的文化基因与底蕴,使得这门新兴的表演艺术形式拥有着一种古朴、典雅、厚重的历史感。如今,我们所提到的“中国古典舞”,它是中华人民共和国建国以后(二十世纪五十年代),经过几代舞蹈家们对中国特有传统的古典舞蹈进行了一系列复原与再创造。因此,“当代”二字加在了“中国古典舞”的前面是非常合情合理的。本论文旨在通过对于当代中国古典舞,做出了梳理与分析,用诸多的当代古典舞发生、发展为基本切入点,来探讨中国当代古典舞的发展脉络。另外,也将从中国当代古典舞的历史成因问题,来研究中国当代古典舞,所产生和发展的历史背景,研究中国当代古典舞的现状以及未来走向,去找寻到尽可能合乎历史规律和客观规律的发展目标以及线索,并且通过探索当代中国古典舞的发生、发展、以及各种风格流派、风格迥异,来给予全面而又客观的分析与研究。全文共分为四章来进行阐述。第一章从当代中国古典舞的成因背景着手,系统的通过总结当代中国古典舞的大概念,以及产生的原因归纳出当代中国古典舞的释义。并通过早期与中期发展的历史背景来分析了其形成的背景,在第一章的最后抛出了一个问题就是构成了当代中国古典舞的四大学派的提出与形成;第二章承上启下剖析当代中国古典舞体系(四大学派)形成的理论依据;第三章是通过理论指导和实践,重点探析在理论依据指导下的当代中国古典舞,其中各个门派的风格特征;第四章总体的对于文章进行宏观的把控。通过对于当代中国古典舞体系发展趋向的理解,来提出问题和解决问题,更好地为当代中国古典舞的健康发展,做出自己微薄的参考理论依据。对于当代中国古典舞体系所发生和发展问题,笔者通过了对于当代中国古典舞体系进行了多视角的研究,发现了一些不断健全中的当代中国古典舞体系。并对于不同学派、风格特征的研究与把握,提出了发展趋势的研判。
[Abstract]:Dance as a performing art, contemporary Chinese classical dance, has its own young and ancient dual personality. Only more than half a century after the founding of New China in 1949, its form, concept and connotation have been continuously developed, enriched and expanded in more than half a century. Second, it is said that the ancient art of contemporary Chinese classical dance lies in the art of dance. It is in the fertile soil of Chinese classical culture and unique national aesthetic thoughts, especially in the religious ideas of Confucianism, Taoism, Buddhism and so on, which are respected by the Chinese nation. This new form of performing art has a simple, elegant and heavy sense of history. We refer to the "Chinese classical dance", which is after the founding of the people's Republic of China (1950s), after generations of dancers to the Chinese traditional classical dance a series of restoration and re-creation. Therefore, it is very reasonable to add the word "contemporary" in front of "Chinese classical dance". This paper makes a combing and analysis, discusses the development of Chinese contemporary classical dance by using a lot of contemporary classical dance occurrence and development as the basic breakthrough point. In addition, it will also discuss the historical origin of Chinese contemporary classical dance. To study the historical background of the emergence and development of Chinese contemporary classical dance, to study the present situation and future trend of Chinese contemporary classical dance, to find out the development goals and clues that conform to the historical and objective laws as far as possible. And by exploring the emergence and development of contemporary Chinese classical dance, as well as various styles and genres, the styles are quite different. The thesis is divided into four chapters. The first chapter begins with the background of the origin of contemporary Chinese classical dance, and systematically summarizes the great concept of contemporary Chinese classical dance. And the reasons for the emergence of modern Chinese classical dance interpretation. And through the early and medium-term development of the historical background to analyze its formation background, At the end of the first chapter, a problem is put forward and formed, the second chapter analyzes the theoretical basis of the formation of the contemporary Chinese classical dance system (the four schools). The third chapter is through the theoretical guidance and practice, focusing on the theoretical basis under the guidance of contemporary Chinese classical dance, in which the style of each school characteristics; The fourth chapter of the overall macro control of the article. Through the understanding of the development trend of contemporary Chinese classical dance system, to put forward problems and solve problems, better for the healthy development of contemporary Chinese classical dance, To make their own meager reference theoretical basis. For contemporary Chinese classical dance system occurrence and development, the author through the contemporary Chinese classical dance system to carry out a multi-perspective study, The author finds some modern Chinese classical dance systems which are constantly improving, and studies and grasps the characteristics of different schools and styles, and puts forward the research and judgment of the development trend.
【学位授予单位】:沈阳师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J722.4
【参考文献】
相关博士学位论文 前1条
1 韩瑾;当代中国古典舞教学体系的构建与发展[D];中国艺术研究院;2006年
相关硕士学位论文 前1条
1 梁泉;中国古典舞“流派”研究[D];中国艺术研究院;2008年
,本文编号:1647444
本文链接:https://www.wllwen.com/shoufeilunwen/zaizhiboshi/1647444.html
教材专著