孟姜女戏曲文本形态演变研究

发布时间：2018-03-24 16:56

本文选题：孟姜女戏曲文本形态　切入点：仪式剧　出处：《东华理工大学》2017年硕士论文

【摘要】：孟姜女故事源远流长,与白蛇传、牛郎织女、梁山伯与祝英台的故事并称为中国“四大民间传说”。其以传说、戏曲、歌谣、诗文等多种形态在中华大地上已流传近两千五百年,以戏曲形态流传也有将近一千年的历史,颇具影响力,深受民众欢迎。宋元南戏、明清传奇、傩愿戏、禳灾戏等都有孟姜女戏曲的存在。对孟姜女戏曲文本进行系统全面的梳理,分析孟姜女故事在各个阶段所呈现的不同戏曲形态,并对其经典意象进行原型分析,以探究孟姜女戏曲文本演变过程中的特点、规律以及其中所体现的民众集体审美意识,从而为孟姜女传说的传承和保护添加新的元素,同时也为古典戏曲研究提供了新的视角。本论文共分为六大部分,绪论主要论述本论文的立题依据和研究方法,学术界当前的研究现状以及本文的研究意义。第一章对孟姜女故事追本溯源,对孟姜女戏曲的形态生成、发展与流变进行梳理,并作简要分析。第二章关注孟姜女戏曲的文本形态,对各时期的孟姜女戏曲文本进行分析,从宋元时期的孟姜女佚曲中窥探孟姜女戏曲全貌,着重分析佚曲中所出现的“寡母”形象;从戏曲的“雅俗”角度对比分析明代锦本《姜女寒衣记》与选本《姜女送衣》的差异;从曲词和宾白的视角探讨清代的孟姜女戏曲形态;以“戏改”为时代背景,以当代孟姜女戏曲演出本为蓝本,分析当代的孟姜女戏曲形态。第三章从民俗学的角度分析仪式剧《孟姜女》中所渗透的民间习俗与禁忌。第四章探析孟姜女戏曲中所体现的民众集体审美意识以及其深层次文化意义,主要运用西方原型理论对戏曲文本中的经典意象进行原型分析。结语部分主要对本文进行综合总结和概括。
[Abstract]:The story of Meng Jiangnv has a long history, and the stories of White Snake, Niu Lang Weaver, Liang Shanbo and Zhu Yingtai are known as the "four Great Folk Legends" in China. They have been circulating on the land of China for nearly 2500 years with legends, operas, ballads, poems, etc. It has a history of nearly one thousand years in the form of a traditional opera, and is very influential and popular among the populace. The Southern Opera of Song and Yuan Dynasty, the legend of Ming and Qing dynasties, and the Nuo Opera, Meng Jiangnv opera exists in the drama of disaster relief. This paper systematically and comprehensively combs the opera text of Meng Jiangnv, analyzes the different forms of the opera in every stage of the story of Meng Jiangnv, and makes a prototype analysis of its classical image. In order to probe into the characteristics, laws and the collective aesthetic consciousness of the masses embodied in the evolution of Meng Jiangnv's drama text, this paper adds new elements for the inheritance and protection of Meng Jiangnv legend. At the same time, it also provides a new perspective for the study of classical opera. This thesis is divided into six parts. The introduction mainly discusses the basis and research methods of this paper. The first chapter traces back to the source of Meng Jiangnv's story, combs the form formation, development and evolution of Meng Jiangnv opera. The second chapter focuses on the text form of Meng Jiangnv's opera, analyzes the operatic texts of every period, and explores the whole picture of Meng Jiangnv's opera from the lost songs of the Song and Yuan dynasties. The image of "widowed mother" appeared in the lost song is analyzed emphatically, and the difference between the Jin Ji of Ming Dynasty "the Book of Cold clothes of Jiang woman" and the selected edition of "sending clothes of Jiangnu" from the angle of "elegance and vulgarity" is compared and analyzed. This paper discusses Meng Jiangnv's opera form in Qing Dynasty from the angle of song ci and object, takes "opera reform" as the background of the times, and takes the performance of contemporary Meng Jiangnv opera as the model. The third chapter analyzes the folk customs and taboos permeated in the ceremonial drama Meng Jiangnv from the perspective of folklore. The fourth chapter analyzes the collective aesthetic consciousness of the masses embodied in Meng Jiangnv's operas. And its profound cultural significance, Western archetypal theory is mainly used to analyze the classical images in the drama text.
【学位授予单位】：东华理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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