“慢设计”—不同语境下的艺术表达研究

发布时间：2018-03-25 20:15

本文选题：慢设计　切入点：可持续发展　出处：《中央美术学院》2017年硕士论文

【摘要】：本文通过研究"慢设计"的源起、背景、理论及原则,对比快与慢的意义和价值。详细的通过"慢设计"与三种不同语境的艺术表达:既传统手工艺和慢设计的关系,大自然和慢设计的关系以及后匆匆主义宣言和慢设计的关系,更深刻的理解这个时代我们是需要"慢"和"慢设计",最后得出到结论"慢设计"是符合长期人类和地球的设计方法。其核心是提倡人类福祉深思熟虑的设计,是以使用环境的可持续发展的原则。慢设计本质上是整体的,考虑到长期和广泛的自然和人类的关系。为此,慢设计寻找元素之间的积极协同系统,多样性和地域性,培养有意义的关系。在慢设计的设计过程中,它变得更具包容性和民主化。它承认我们都是设计师的见解,技能和愿望施加创造我们的世界和我们的生活的过程。
[Abstract]:By studying the origin, background, theory and principle of "slow design", this paper compares the meaning and value of "slow design" with that of "slow design" and the artistic expression of "slow design" in three different contexts: the relationship between traditional handicraft and slow design. The relationship between nature and slow design, and the relationship between postrush declarations and slow design, We need "slow" and "slow design" to come to the conclusion that "slow design" is a design method that is consistent with long-term human beings and the Earth. Is based on the principle of sustainable development using the environment. Slow design is intrinsically holistic, taking into account the long-term and extensive relationship between nature and human beings. To this end, slow design seeks active systems of synergy, diversity and regionality among elements, Cultivate meaningful relationships. In the process of slow design, it becomes more inclusive and democratic. It recognizes that we are all designers of ideas, skills, and aspirations that impose processes that create our world and our lives.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J505

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