普朗克的艺术歌曲《Sanglots》（啜泣）音乐分析

发布时间：2018-04-29 21:28

  本文选题：音乐分析 + 演唱分析　； 参考：《延边大学》2017年硕士论文

【摘要】：《啜泣》(1940)是20世纪初期法国艺术歌曲创作领域最具影响力的作曲家之一-普朗克(Francis Poulenc 1899-1963)的作品,是普朗克声乐套曲《平庸》中的第五首曲目。歌曲旋律舒缓,音色丰富,极富抒情感。本论文以气息、速度、母音状态、共鸣、声音位置等声乐技巧为内容进行了关于《啜泣》的演唱技巧研究。《啜泣》的演唱特征归纳为以下三个方面:第一,气息和母音状态在演唱《啜泣》的过程当中,也起到根本性的作用是一个不可或缺的大前提。第二,气息在声音的位置饱满响亮的音量起到决定性的作用。第三,母音状态在声音的高位置,正确的共鸣位置,咬字的准确与相互连贯,也起到关键性的作用。演唱上要求做到气息与共鸣的统一连贯,吐字精准,法语歌词咬字要准确,不能过于夸张,母音状态演唱到位,可以达到更好的诠释出这首抒情的艺术歌曲。
[Abstract]:"sobbing" (1940) is one of the most influential composers in the field of French art songwriting in the early 20th century-Planck Francis Poulenc 1899-1963), is the fifth track in Planck's vocal ensemble "mediocre". The song melodies soothing, the timbre is rich, the extremely rich lyric feeling. In this paper, the singing techniques of "sob" are studied in terms of breath, speed, vowel state, resonance, sound position and so on. The singing characteristics of < sob > are summarized as follows: first, Breath and vowels play a fundamental role in the process of singing sobs. Second, breath plays a decisive role in the position of sound full loud volume. Third, the vowel state plays a key role in the high position of the sound, the correct resonance position and the accuracy and coherence of the pronunciation. Singing requires that breath and resonance of the unity of coherence, accurate spelling, French lyrics to be accurate, can not exaggerate, the vowel state of singing in place, can achieve a better interpretation of this lyric art song.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J616
，

本文编号：1821617