21世纪韩国动画电影美学指涉

发布时间：2018-05-01 16:19

本文选题：韩国动画电影 + 悲剧内涵　；参考：《延边大学》2017年硕士论文

【摘要】：作为与中国一衣带水的邻邦,韩国是典型的亚洲文化、半岛文化,既植根于本国的传统又吸收了优秀的外来文化。地缘特征和曲折的历史进程带给韩国人忧患与悲情,东方文化传统又带给韩国人以含蓄和内敛,这是一个充满忧患意识自强不息的民族,她的文化也因而具有高度的开放性、灵活性与包容性。21世纪以来,韩国电影产业崛起,以其"亚洲文化"的标签迎来了发展的春天,在亚洲诸国中脱颖而出,取得了不俗的成绩,韩国的动画电影也以此为方向开始了新的转变,摆脱了曾经低迷不振的困境,立足于世界动画制作大国之列。动画电影作为一种突破了传统形式与规范的新兴艺术,克服了实拍电影所受的时间和空间的限制,以绘图的大胆夸张、色彩的自由运用、想象的天马行空吸引着少年儿童和成人观众。韩国的动画电影却不以奇思妙想致胜,也不热衷于夸张的造型艺术,故事背景、人物形象往往取材于现实生活,擅长平淡的叙事和细腻的人物刻画,以再现现实中韩国人细微的精神世界。它所表现的传承民族文化的责任感、探索精神和思辨理性,都呈现出鲜明的韩国风格,在激烈的国际竞争中赢得了业界的认可和国内外观众的口碑。韩国动画电影民族风格的形成得益于其优秀传统文化的滋养,更与其独特的美学追求和审美价值取向密切相关。因此,本文将重点研究论述审美视域下21世纪以来韩国动画电影的美学指涉。第一章绪论部分主要论述了本文的研究目的、研究意义和研究方法,以及国内外相关研究情况,对本文的研究背景予以整体的把握;第二章对动画和动画电影的概念及韩国动画电影的发展进行简单的概述,介绍了动画、动画艺术与动画电影概念上的主要区别,论述了韩国动画电影发展的孕育期、萌芽期、成长期、转变期及21世纪以来发展的整体情形,并对21世纪以来韩国动画电影进行简单的分类,列举相关作品;第三章,笔者从韩国动画电影中悲剧性的痛感体验和自然美的快感体验两个方面,分析了韩国动画电影在审美内涵上的追求。悲剧性方面,论述了韩国文化中"恨"的悲剧精神传统,并从韩国动画电影中死亡痛苦和生活忧苦的两种具体表现分析其悲剧性的精神内蕴;自然美方面,论述了韩国文化中对自然美学的崇尚,分析韩国动画电影中自然意境的营造、对自然本性与人性关系的思索及其自然为之、本真质朴的创作精神;第四章,笔者的论述从韩国动画电影审美的精神内蕴方面转向审美的形式追求,从语言形式上更为深入地发掘韩国动画电影视觉性形式美的表现——即造型上的色彩语言和空间语言。色彩语言层面从色彩的视觉性和色彩的情感性两个方面论述,分析了韩国动画电影的视觉特色和精神内蕴的传递。空间语言层面主要从物性空间的空间叙事功能和呈现空间的空间修辞功能探索韩国动画电影对电影空间美学功能的发掘。文章的最后部分为总结,总结了韩国动画电影的审美艺术特色和审美超越性,并以韩国动画电影的发展模式和美学风格为鉴,思考当下中国动画电影发展之可能。
[Abstract]:As a neighbour with China, Korea is a typical Asian culture. The culture of the peninsula is rooted in the national tradition and absorbs the excellent foreign culture. The geographical features and the tortuous historical process bring the Koreans suffering and grief, and the eastern cultural tradition brings the Koreans implicit and introverted, which is full of anxiety consciousness self. With the strong and open nation, her culture also has high openness, flexibility and inclusiveness in the.21 century, the rise of Korean film industry, the spring of its "Asian culture", which has come to the fore in all the countries of Asia, and has made a new change in the direction of the Korean Animation film, As a new art which breaks through traditional forms and norms, animated movies have overcome the time and space limitations of the real film, with the bold exaggeration of the drawing, the free use of color, and the imagination to attract children and children. People's audience. Korean animated movies do not win with fantastic ideas, nor are they keen on exaggerated plastic arts, the background of the story, the character images are often drawn from real life, good at plain narration and delicate characterization, in order to reproduce the subtle spiritual world of the Korean people. It shows the sense of responsibility for inheriting national culture and exploring essence. Both God and speculative reason have shown a distinctive Korean style and won the recognition of the industry in the fierce international competition and the word-of-mouth of the audience at home and abroad. The formation of the national style of Korean animated movies is benefited from the nourishment of its excellent traditional culture, and is closely related to its unique aesthetic pursuit and the value orientation of the United States. The first chapter mainly discusses the purpose of the study, the significance and research methods of this paper, and the relevant research at home and abroad, and the research background of this article, and the second chapter of the concept of animation and animated movies and Korean Animation. The development of the film is briefly summarized, the main differences between animation, animation and animated movies are introduced. The development period, germination period, growth period, transformation period and the overall situation of the development of Korean animation film have been discussed, and a simple classification of Korean animation films since twenty-first Century is carried out, and the related works are listed. The third chapter, from two aspects of the tragic feeling experience of the Korean animated movies and the pleasure of natural beauty, the author analyzes the pursuit of the aesthetic connotation of the Korean animated movies. The tragic aspects, the tragic spirit tradition of "hate" in Korean culture, and the two specific forms of death pain and life suffering from the Korean animated films. In the aspect of natural beauty, this paper expounds the advocation of natural aesthetics in Korean culture, the analysis of the creation of natural artistic conception in Korean animated movies, the thinking of natural nature and human nature and its natural and simple creative spirit, and the fourth chapter, the author discusses the aesthetic spirit of Korean Animation Film. The inner aspect turns to the pursuit of aesthetic form. From the form of language, the visual form beauty of Korean animation film is deeply excavated - the color language and space language in the modeling. The color language level is discussed from two aspects of color vision and color emotion, and the visual characteristics of Korean animated films are analyzed. The spatial language level is mainly from the spatial narrative function of physical space and the spatial rhetorical function of the presentation space to explore the exploration of the aesthetic function of the film space in Korean animation film. The final part of the article summarizes the aesthetic artistic features and aesthetic transcendence of the Korean animated films, and the Korean Animation electricity. The development mode and aesthetic style of the film are a reflection of the possibility of the development of China's animated films.

【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

【参考文献】