“复原的世界”——从反讽修辞看希尼晚期创作

发布时间：2018-05-04 14:42

本文选题：谢默斯·希尼 + 反讽　；参考：《西安外国语大学》2017年硕士论文

【摘要】：希尼曾在《紫衫之湖》中描绘一个“复原的世界”。论文以希尼最后三本诗集为研究对象,旨在梳理其晚期诗歌中的反讽类型,并在反讽的视角下解读“复原的世界”的深层含义。引言部分主要是介绍希尼作品的国内外研究现状并给出选题原因。第一章主要以萨义德的“晚期风格”为理论支撑,论述希尼晚期创作风格与反讽的关联。第二章主要是通过解读具体诗篇,总结出希尼晚期诗作中的四种反讽类型:言语反讽、语调反讽、由不可靠叙述产生的反讽以及总体反讽。第三章主要运用反讽的修辞解读希尼“复原的世界”之深层涵义:第一层涵义是诗人对死亡与永恒的辩证思考。第二层涵义是关于诗歌的责任;第三层涵义是关于诗歌的诗性功能;本文的主要论点:作为一个有着特殊身份的诗人,希尼愿意承担起其诗人的社会责任,但他反对诗人因此而放弃其诗学责任,认为诗歌的诗性功能高于其社会功能;希尼理性地思考“死亡”,他赞同海德格尔的哲学观念:死亡是人之存在不可或缺的一部分;同时在“死亡”诗里面蕴含着永恒,人间的爱、生命和已逝诗人的思想力量。
[Abstract]:In Lake Purple, Sheeney described a "world of recovery." This paper aims at combing the types of irony in his later poems and interpreting the deep meaning of the restored World from the perspective of irony. The preface mainly introduces the domestic and international research situation of Hinney's works and gives the reasons for selecting the topic. The first chapter is mainly based on said's late style, and discusses the relationship between Schini's late writing style and irony. The second chapter summarizes four types of irony in Hiney's later poems: verbal irony, intonation irony, irony generated by unreliable narration and overall irony. The third chapter mainly uses ironic rhetoric to interpret the deep meaning of Heini's "restored World": the first meaning is the poet's dialectical thinking on death and eternity. The second meaning is about the responsibility of poetry; the third is about the poetic function of poetry; the main argument of this paper is that as a poet with a special status, Hinney is willing to assume the social responsibility of his poet. However, he opposes the poet to give up his poetic responsibility and thinks that the poetic function of poetry is higher than that of his social function, and he agrees with Heidegger's philosophy that death is an indispensable part of human existence. At the same time, death contains eternal, human love, life and the thought of the dead poet.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I562.072

【相似文献】