贝多芬《降B大调第二钢琴协奏曲》的解析与演绎

发布时间：2018-05-11 23:24

本文选题：贝多芬 + 钢琴协奏曲　；参考：《云南艺术学院》2017年硕士论文

【摘要】：本文以贝多芬《降B大调第二钢琴协奏曲》为研究对象,从阐述巴洛克、古典主义时期协奏曲的发展与创作入手,结合海顿、莫扎特对当时音乐的发展影响,详细分析、总结贝多芬钢琴协奏曲的继承与发展。其次,对贝多芬《降B大调第二钢琴协奏曲》进行了具体的分析,其中包括曲式结构的特点,作品中所受海顿、莫扎特所影响的体现,以及《降B大调第二钢琴协奏曲》艺术风格。最后,通过学习并演奏这首曲子过程中的感受,对这首贝多芬《降B大调第二钢琴协奏曲》的演奏风格和演奏技术进行分析总结,试图立体、全面、多维度的解析贝多芬《降B大调第二钢琴协奏曲》。本文分三部分,第一部分主要阐述贝多芬钢琴协奏曲的创作;第二部分为分析贝多芬《降B大调第二钢琴协奏曲》的本体与艺术风格;第三部分为贝多芬《降B大调第二钢琴协奏曲》的演绎,主要从演奏风格和演奏技巧进行了分析总结。
[Abstract]:This article takes Beethoven's Piano Concerto No. 2 in B major as the research object, starting with the elaboration of the development and creation of Concerto in Baroque and Classical period, combining with Haydn and Mozart's influence on the development of music at that time. This paper summarizes the inheritance and development of Beethoven's piano concerto. Secondly, it makes a concrete analysis of Beethoven's Piano Concerto No. 2 in B major, including the characteristics of the form structure, the embodiment of the influence of Haydn and Mozart in his works. And "Piano Concerto No. 2 in B major" artistic style. Finally, by studying and playing the feeling in the course of this piece, the performance style and performance technology of the Beethoven Piano Concerto No. 2 in B major are analyzed and summarized in order to try to be three-dimensional and comprehensive. A multidimensional analysis of Beethoven Piano Concerto No. 2 in B major. This paper is divided into three parts, the first part mainly expounds the creation of Beethoven's piano concerto, the second part is the analysis of the ontology and artistic style of Beethoven's Piano Concerto No. 2 in B major. The third part is the deduction of Beethoven's Piano Concerto No. 2 in B major.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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