《乡情风景系列》绘画创作与研究

发布时间：2018-05-28 02:01

本文选题：乡情系列 + 创作构思　；参考：《延边大学》2017年硕士论文

【摘要】：在绘画史中,对乡土题材的描绘经历了几个世纪的发展,从文艺复兴开始,新时代的艺术家们不再满足于继承前人的创作模式,他们开始对周围的现实生活产生兴趣,以一种新的眼光来观察身边所发生的一切,不再单一的以宗教题材为创作主体,不再只服务于宗教和阶级统治。一些画家们开始描绘田园自然风光。风景不再以单纯的画面背景的形式存在,逐渐的从传统的绘画当中脱离出来,形成独立的绘画题材。在每个时代中,虽然他们的绘画风格,表现手法都各有不同,但是每一幅作品中都承载他们对当时社会、人文及乡土情怀特殊的情感。本文旨在通过《乡情风景系列》作品来学习乡土风景油画。该系列作品主要是在表述家乡的特点及家乡情怀的基础上,以自己的探索,通过画面的构成、绘画技法和综合材料的运用来展现整个系列的作品。我希望能通过画面与观赏者产生共鸣,使其对乡土题材绘画创作有更进一步的理解,领悟乡土题材绘画中的特殊情感。文章分为三大章节:第一章绪论主要介绍了《乡情风景系列》绘画的创作背景、研究内容、目的和意义。远在他乡对家乡的思念及情感和乡村城镇化政策的实施,促使我确定了创作的题材,通过自己的画笔记录下家乡村庄自然风光、风土人情。通过家乡的风景创作研究,形成自己的绘画语言和表达方式,对今后个人艺术创作具有一定的理论指导意义。第二章主要描述我的创作过程,在创作构思、选材、构图、技法、综合材料运用五个主要方面做了详细的描述。第三章总结研究生阶段的绘画实践、创作时的情感表达、自己绘画语言的形成和以后绘画研究方向。
[Abstract]:In the history of painting, the description of local themes has experienced several centuries of development. From the Renaissance onwards, the artists of the new era are no longer satisfied with inheriting their predecessors' creative models, and they begin to have an interest in the real life around them. Observing what happened around us with a new vision is no longer a single subject of religious creation, but no longer serves only religion and class rule. Some painters began to paint idyllic scenery. Landscape no longer exists in the form of pure background, gradually from the traditional painting out, forming an independent painting subject matter. In each era, although their painting style and expression techniques are different, but each piece of work carries their special feelings for the society, humanities and local feelings at that time. The purpose of this paper is to study the local landscape oil painting through the works of "the scenery Series of the Countryside". This series of works is mainly on the basis of expressing the characteristics and feelings of the hometown, with its own exploration, through the composition of the picture, painting techniques and the use of comprehensive materials to show the whole series of works. I hope to empathize with the viewer through the pictures, so that they can have a better understanding of the local painting creation, and understand the special emotion in the local painting. The article is divided into three chapters: the first chapter introduces the background, content, purpose and significance of painting. The yearning and emotion of my hometown and the implementation of the policy of urbanization have prompted me to determine the theme of my creation and record the natural scenery of my hometown village through my own brush. Through the study of landscape creation in my hometown, the author forms his own painting language and expression, which has certain theoretical guiding significance for personal artistic creation in the future. The second chapter mainly describes my creative process, in creative design, material selection, composition, techniques, comprehensive material use of five main aspects of a detailed description. The third chapter summarizes the painting practice of graduate students, the expression of emotion in creation, the formation of their own painting language and the future direction of painting research.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213

【参考文献】