安徽青阳农民画研究

发布时间：2018-05-31 03:31

本文选题：青阳农民画 + 起源　；参考：《安徽工程大学》2017年硕士论文

【摘要】：近年来,我国年轻一代人对中国传统的民间美术纷纷报以冷漠、不感兴趣的态度,这种对传统艺术的排斥感让民间美术的生存空间愈加狭小,在我们看不见的地方正以意想不到的速度快速地消亡。但是随着国家对这方面的重视,加之各省市申请国家级、省级非物质文化遗产的活动,让民间美术的研究成为当下的热点话题,被社会各界所广泛关注。尽管许多专家已经对这方面进行了广泛的研究,但仍有不全面的地方,因此我们所要做的是在还需要深入的方面继续研究。本篇论文着重点在于对青阳农民画的艺术价值、艺术特征以及审美特征的研究,主要目的就在于希望从专业的角度去分析一些新的问题。在这篇论文中,首先要点明的是为什么要进行安徽青阳农民画的研究、这种研究对于这一民间美术样式的发展又有着什么样的意义;并且梳理出在它过去经历的年月里已有的研究成果,明确指出本篇论文在研究角度上的创新之处即主要从艺术特征方面入手,分析作品中所体现的风格特点以及总结其地方文化特性—皖南徽文化。其次沿着不同的方向来梳理青阳农民画从古到今其形成发展的前因后果,知道它到底从何而来,发展至今又经历了哪些阶段以及未来发展的方向。再次,我们要在创作风格上进行系统的研究,首先要大致地了解它,从地域以及时代的角度分析它的艺术特点;从已有作品中的所绘对象、情节、场景来总结它主要的创作题材;从作品中的人、事、物的造型上寻找自身的共性以及区别于其他农民画的个性;从画面中所有物体的排列布局中找到青阳农民画的构图方式;同时对画面色彩搭配、创作风格进行深入分析,得出其独到之处,以此表明为什么全国各地有名的农民画不可谓少,青阳农民画作品依然是民间美术体系中不可或缺的一部分。通过这样的分析就能大致了解到青阳农民画作为一种民间美术有着怎样奇妙的艺术价值,也说明了此次研究的意义是十分重大的。最后就要从传承和发展的方面研究它的发展现状并根据当地的具体情况提出一些可行性高的措施建议,以促进青阳农民画的产业化之路。青阳农民画是融合徽州三雕、民间剪纸、墙饰画于一体的美术形式,创作上具有浓郁的皖南徽文化特征,使之不同于其他农民画样式,形成了独特的艺术表现力。我们现在对于青阳农民画所做的研究,就是为了让这一特别的民间美术形式不至于在未来走下坡路,目的就是为了总结其独特的视觉形式语言,为初学者提供坚实的理论基础,为培养下一代的创作者献出自己的一份力量。
[Abstract]:In recent years, the younger generation of our country have reported an attitude of indifference and lack of interest to Chinese traditional folk art. This sense of rejection of traditional art has made the living space of folk art more and more narrow. Where we can't see it is dying out at an unexpected rate. But with the attention of the state and the activities of the provinces and cities to apply for national and provincial intangible cultural heritage, the research of folk art has become a hot topic, which has been widely concerned by all walks of life. Although many experts have carried out extensive research in this area, there are still some incomplete areas, so what we need to do is to continue to study in depth. This paper focuses on the study of the artistic value, artistic characteristics and aesthetic characteristics of Qingyang Peasant painting. The main purpose of this paper is to analyze some new problems from a professional point of view. In this paper, the first point is why the study of Anhui Qingyang Peasant painting, this kind of research for the development of this folk art style and what kind of significance; And combing out the existing research results in the past years and months of its experience, clearly pointing out that the innovation of this paper is mainly from the aspect of artistic characteristics. This paper analyzes the style and characteristics of the works and summarizes the local cultural characteristics-the culture of the southern Anhui emblem. Secondly, along different directions to comb Qingyang Peasant painting from ancient to present its formation and development of the causes and consequences, know where it comes from, which stages of development has been experienced and the direction of future development. Thirdly, we should make a systematic study on the creative style, first of all, we should understand it roughly, analyze its artistic characteristics from the point of view of the region and the times, and draw objects and plots from the existing works. The scene sums up its main creative themes; looks for its own commonness in the form of the people, things and objects in the works, and distinguishes itself from other peasant paintings, and finds the composition of Qingyang peasants' paintings from the arrangement and layout of all the objects in the picture; At the same time, the collocation of the picture color, creative style in-depth analysis, to find out its unique, so as to show why there are many famous peasant paintings throughout the country, Qingyang Peasant painting is still an indispensable part of the folk art system. Through this analysis, we can get a general understanding of Qingyang Peasant painting as a folk art has how wonderful artistic value, but also shows that the significance of this study is very important. Finally, we should study the present situation of its development from the aspect of inheritance and development, and put forward some feasible measures and suggestions according to the local specific conditions, in order to promote the industrialization road of Qingyang peasant painting. Qingyang Peasant painting is an art form that integrates Huizhou three carvings, folk paper-cut and wall decoration painting. It has rich cultural characteristics of the emblem of southern Anhui in creation, which makes it different from other peasant painting styles and forms a unique artistic expressive force. Our current research on the paintings of farmers in Qingyang is to prevent this particular form of folk art from going downhill in the future. The purpose is to sum up its unique visual form language and to provide a solid theoretical basis for beginners. Give one's share to the next generation of creators.
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J219

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