《嫁娶图》图像母题与图式研究

发布时间：2018-06-20 04:01

本文选题：嫁娶图 + 母题　；参考：《中央美术学院》2017年硕士论文

【摘要】：本文从现藏于故宫博物院的元佚名"《农村嫁娶图》卷"所存在的疑问和争议出发,对与其源自同一母题的四幅画作,分别为现藏于河北省博物馆清代沈宗骞的《苗民嫁女图》、宋代无名本《朱陈嫁娶图》以及国家博物馆所藏的两本《清人嫁娶图》进行分析研究。这一母题的相关画作至今尚无专家学者关注,因此笔者通过图像学、风格学、民族学、文献学等方法对"嫁娶图"这一母题在不同时期不同画家笔下所呈现出的图像母题与图式的异同以及变化进行分析考证,进一步追溯还原其母题出现的时代、原貌以及寓意所在。并通过四本画作图像与图像之间关系的分析对这一母题在不同时期名称的变更、以及母题图像的取舍变异进行深度解读,进而追寻其背后的隐藏之意。
[Abstract]:Based on the doubts and disputes existing in the Yuan Anonymous name "the Rural Marriage Picture", which is now hidden in the Palace Museum, this paper makes four paintings from the same motif. In this paper, Shen Zongqian's pictures of Miao Min's marrying women in the Qing Dynasty of Hebei Province Museum, the unnamed Song Dynasty's "Zhu Chen's Marriage Pictures" and the two "Qing people's Marriage Pictures" collected by the National Museum were analyzed and studied respectively. So far, no experts and scholars have paid attention to the related paintings of this motif, so the author through the study of graphics, stylistics, ethnology, By means of philology and other methods, the similarities and differences between the image motif and the schema presented in the works of different painters in different periods are analyzed and verified, and the time when the motif appears is further traced back to the time when the motif appeared. The original appearance and the moral. Through the analysis of the relationship between the four paintings' images and images, the change of the title of the motif in different periods and the variation of the motif image are deeply interpreted, and the hidden meaning behind the motif is sought.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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