恩卡形象的精神分析学建构

发布时间：2018-06-26 11:06

本文选题：恩卡 + “他者”　；参考：《武汉纺织大学》2017年硕士论文

【摘要】：恩卡是杰克·伦敦的小说《北方的奥德赛》中唯一的女主人公,从拉康的"幼儿"到"成年人"的发展轨迹理论来看,她是纳斯成长阶段中一个固化了的"他者"存在。恩卡的"他者"性可以从纳斯的成长三阶段来进行解读,三阶段即:需求与现实界,请求、想象界、镜像阶段,欲求、语言与象征界。它们分别对应了文本当中的三个阶段:恩卡与纳斯的统一,即恩卡与纳斯相遇、相知、相爱到结婚的过程;纳斯意识到恩卡具有"他者"性,即冈德逊的出现并将恩卡掳走的过程;纳斯追寻具有"大他性"的恩卡,即纳斯历经千辛万苦去寻找恩卡的过程。在这三个阶段中二者的关系相当于主体形成理论中的三种关系,即:"婴儿"与"母亲"的融合,"婴儿"意识到"母亲"是"他者",以及"婴儿"完全成为一个与"母亲"分离的独立的主体。故事的结局呼应了拉康最后—个阶段的理论,将一个完整的"自我"在追寻"他者"中心途中的迷惘与失落表现的淋漓尽致,从而揭示出伦敦对归家的渴望,对故土与自:然"的渴望,对重新与"他者"融合的渴望。然而拥有了文化的"自我"只能在永不消逝的欲求里"一声叹息"。海德格尔的文艺思想指出了艺术就是这种迷失的精神家园,在艺术中人与艺术作品二者相互统一、相互融合,因此"大他"控制的二元对立的象征界被解构,人可以尽情地在艺术中享有圆满具足和欢愉。
[Abstract]:Enka is the only heroine in Jack London's "Odyssey of the North". Judging from Lacan's theory of the path of development from "infant" to "adult", she is a solidified existence of "other" in the growing up of Nass. The "otherness" of Enka can be interpreted from the three stages of Nass' growth, namely: demand and reality, request, imagination, mirror image, desire, language and symbol. They correspond to the three stages of the text: the unity of Enka and Nass, that is, Enka and Nas meet, know each other, and fall in love with each other until they get married; and Nass realizes that Enka is "other". The process of Gunderson's emergence and capture of Enka, and Nass's pursuit of the "great otherness" of Enka, the process during which Nas went through many hardships to find Enka. In these three stages, the relationship between the two is equivalent to the three relationships in the subject formation theory. That is, the fusion of "baby" and "mother", the realization that "mother" is the "other" and that "baby" becomes an independent subject completely separated from "mother". The end of the story echoes Lacan's theory of the last stage, giving a complete "self" the most profound expression of loss and loss on the way to the center of the "other", thus revealing London's desire to go home. The desire for native land and self-existence, and the desire to reintegrate with the other. However, having a cultural self can only "sigh" in a desire that never dies. Heidegger's literary thought points out that art is this kind of lost spiritual home. In art, the two people and works of art are United and integrated, so the symbolic circle of dualistic opposition controlled by "the Great other" is deconstructed. One can enjoy the fullness and joy of art.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.074

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