简述爱与死亡主题在中外艺术中的表现

发布时间：2018-06-29 15:45

本文选题：爱主题 + 死亡主题　；参考：《中央美术学院》2017年硕士论文

【摘要】：在艺术史中,绘画的主题一直是人们所津津乐道的,而在众多艺术主题中,"爱与死亡"无疑是艺术中的永恒经典,他们总是联袂登场,所谓"死亡的赞美诗就是爱的赞美诗"。本文即围绕"爱与死亡"主题,以具体分析艺术作品的形式大体阐述了从古希腊罗马文化到基督教文化中对"爱与死亡"主题的表现,又以蒙克及珂勒惠支为主要分析对象,阐释了一个观点即"爱"与"死亡"在艺术家心中激起了涟漪,艺术家运用自身的艺术手段作为媒介去阐释他们心中关于爱与死亡的定义。爱与死亡没有明确的含义,不同的人都持有不同的观点,我们只能通过分析艺术家的画作窥视一二。最后,古老的东方艺术中也有对死亡主题的表达,通过对李嵩的《骷髅幻戏图》的具体分析引出了道家"齐生死"的观念,庄子的生死观极富思辨性,它乐死恶生,将死亡意识带来的恐惧和焦虑消逝于自然山水之中,这既是他的死亡视域。
[Abstract]:In the history of art, the theme of painting has always been talked about by people, but in many art themes, "love and death" is undoubtedly the eternal classic of art, they always come together, so called "the hymn of death is the hymn of love". Focusing on the theme of "Love and death", this paper, in the form of concrete analysis of works of art, expounds the expression of the theme of "Love and death" from ancient Greek and Roman culture to Christian culture, and takes Monk and Colewhitt as the main objects of analysis. This paper expounds a viewpoint that "love" and "death" make a ripple in the artist's heart, and the artist uses his own artistic means as the medium to explain the definition of love and death in his heart. Love and death have no clear meaning. Different people hold different views. We can only peep at one or two by analyzing artist's paintings. Finally, there is also the expression of the theme of death in the ancient Oriental art. Through the concrete analysis of Li Song's the Picture of the skull and Hollow, it leads to the Taoist concept of "life and death," and Zhuangzi's view of life and death is highly speculative. It is his view of death to fade the fear and anxiety of death consciousness into the natural landscape.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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