论埃利亚松美学思想下的空间与视知觉

发布时间:2018-07-20 14:28
【摘要】:现代城市迅猛发展,高科技被广泛应用,相对于我们周边时间与空间的不断扩张,人类自身的存在却显得越来越微不足道,从前的美学坐标轴现在正一夕间发生着平行的位移。人类一边在高科技创造的视觉世界里不由自主地沉浸迷失,一边又希望在感性认知里回归到往日情愫。不可否认的是,现代的快速单纯具有直接的爆发力和冲击力,即使在随波逐流的形势下,仍然有些地方保持着清醒,它以真实而又虚幻的方式带给人类冲击,它超越了视觉的感官体验,在感性认知和理性分析的结合下,我们的五官肉体产生共鸣,这些虚幻的令人沉醉的美就是透明的单纯之美。在现代设计中,尽管视觉传达的方式变得越来越复杂和发达,但如果参照人类视觉系统生理和心理的反映,有效的利用空间与视知觉研究带来的作用,就能在更大的范围内发挥各种现代制作技术的优势。同时,作品的视觉传达功能也会大大提高,达到事倍功半的效果。随着信息科技时代的来临,设计师必须有效的将科学与哲学结合起来运用到视觉传达领域中,使现代设计的艺术价值彰显。对于空间与视知觉研究的进一步探讨将形成一种新的艺术形式并广泛的应用到各个领域中。与此同时,有关空间未被得到关注的更多现象值得我们去探索和研究,在前人基础之上,不断地发掘新的艺术形式,将为新一代的设计师提供更多的经验。空间与视知觉的研究不仅对探索新型教育模式具有重要的意义,更体现了对设计人本化的思考以及对视知觉体系进行系统研究的重要性。本文以国内外研究成果和课题研究背景为基础,以埃利亚松2016年在上海龙美术馆举办的“无相万象”艺术展为切入点,对埃利亚松的美学思想及其核心空间与视知觉的研究进行深入分析并阐述空间与视知觉之间所产生的联系,作用与影响,同时对空间与视知觉的研究方法与交互应用做出详细地阐述与分析,最后对空间与视知觉研究的重要性展开总结并对其进行反思。
[Abstract]:With the rapid development of modern cities, high-tech has been widely used. Compared with the continuous expansion of time and space around us, the existence of human beings is becoming more and more insignificant. Human beings can not help being lost in the visual world created by high technology, while they hope to return to their former feelings in perceptual cognition. It is undeniable that modern speed and simplicity have direct explosive force and impact, even in the situation of drift, there are still some places to remain awake, it brings human impact in a real and illusory way. It transcends the sense of vision experience, in the combination of perceptual cognition and rational analysis, our five senses and bodies resonate, these illusory intoxicating beauty is transparent simple beauty. In modern design, although the way of visual communication becomes more and more complex and developed, if we refer to the physical and psychological reflection of human visual system, we can effectively utilize the function of the research of space and visual perception. You can play in a wider range of modern production technology advantages. At the same time, the visual communication function of the work will be greatly improved to achieve half the result. With the advent of information technology era, designers must effectively combine science and philosophy into the field of visual communication, so that the artistic value of modern design. The further study of space and visual perception will form a new art form and be widely used in various fields. At the same time, more phenomena which have not been paid attention to are worth our exploration and research. On the basis of our predecessors, we will find new art forms constantly, which will provide more experience for the designers of the new generation. The study of space and visual perception is of great significance not only to explore the new educational model, but also to reflect the importance of humanized design and systematic study of visual perception system. Based on the domestic and foreign research results and the research background of the subject, this paper starts with the "Vientiane without phases" exhibition held by Eliasson in Shanghai long Art Museum in 2016. This paper makes a deep analysis of Eliasson's aesthetic thought and the study of its core space and visual perception, and expounds the relationship, function and influence between space and visual perception. At the same time, the research methods and interactive applications of spatial and visual perception are elaborated and analyzed in detail. Finally, the importance of the research on spatial and visual perception is summarized and reflected on.
【学位授予单位】:武汉纺织大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J501

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