律学视角下传统六孔竹笛演奏之音准问题的探索

发布时间：2018-12-18 00:46

【摘要】：中国竹笛是我国民族乐器中最古老、最具魅力的吹管乐器之一,属于横吹的开管乐器。竹笛演奏实践中的音准不但需要依靠演奏者的高超的演奏技术,更需要内在音准理念调节,然而,各地方音乐由于音律的迥异,使得某些音程关系有所不同,其某些音的音高也会有细微波动,所以演奏者对于音准问题的把握,成为了影响竹笛演奏的主要因素。本文在律学视角下对中国传统六孔竹笛演奏实践中的音准问题进行深入的研究和探讨,全方位的介绍了影响传统六孔竹笛演奏实践中音准问题的诸多因素,也阐明了传统六孔竹笛是一件可以多律制取向的乐器。旨在帮助演奏者正确理解几种常用音律概念、掌握多种音律混合运用的能力、把握乐曲中各音的“相对音高”、更好地诠释竹笛音乐作品的内涵,同时具备着与西洋乐器、其它民族音乐作品密切融合的能力。全文分为三个章节:第一章阐述律制观念下的音准概念,详细地介绍“十二平均律的音准概念”、“五度相生律的音准概念”及“纯律的音准概念”,并进行分析比较。第二章阐述了传统六孔竹笛演奏实践中的律制取向问题:从传统的竹笛音乐作品、现代创作的竹笛音乐作品、多声部的竹笛音乐作品的演奏实践及传统六孔竹笛自身构造的特点等四个方面进行论述,分析竹笛演奏实践中的不同律制取向的问题。第三章是本文的主体,首先从音乐作品旋律的具体形态来分析音律的运用及音准问题,然后对部分地区的地方音乐风格的乐曲的音律特点进行论述,以适应演奏实践中的音准符合人们的听觉习惯和审美要求。
[Abstract]:Chinese bamboo flute is one of the oldest and most attractive wind instruments in China. In the practice of bamboo flute playing, the sound quality not only depends on the excellent playing technique of the performer, but also needs the adjustment of the internal sound level idea. However, due to the different timbre, some interval relations are different in the music of different places. The pitch of some of its sounds also fluctuates slightly, so the player's grasp of the sound accuracy has become the main factor that affects the bamboo flute playing. From the perspective of law, this paper makes a deep research and discussion on the sound level in the practice of traditional six-hole bamboo flute playing in China, and introduces in all directions the many factors that affect the sound quality in the practice of traditional six-hole bamboo flute playing. It also shows that the traditional six-hole bamboo flute is a musical instrument with multi-rhythm orientation. The aim is to help players correctly understand several commonly used musical concepts, master the ability of mixing various rhythms, grasp the "relative pitch" of each sound in a piece of music, better interpret the connotation of a bamboo flute musical work, and at the same time have a musical instrument with Western instruments. The ability of other folk music works to be closely integrated. The paper is divided into three chapters: the first chapter describes the concept of sound level under the concept of law system, and introduces in detail the concept of "the sound level of the law of twelve average", "the concept of the phonetic level of the law of five degrees" and "the concept of sound accuracy of pure law", and makes an analysis and comparison. In the second chapter, the author expounds the problems in the practice of traditional six-hole bamboo flute playing: the traditional bamboo flute music works, the modern bamboo flute music works, the traditional bamboo flute music works, the modern bamboo flute music works, the traditional bamboo flute music works, the modern bamboo flute music works. In this paper, the performance practice of the musical works of bamboo flute with multi-sound part and the characteristics of the traditional six-hole bamboo flute are discussed in this paper, and the problems of different legal orientation in the practice of playing bamboo flute are analyzed. The third chapter is the main body of this paper, first from the specific form of music melodies to analyze the use of rhythm and tone, and then the local music style in some areas of the music characteristics of the rhythm. In order to adapt to the playing practice of sound in line with people's auditory habits and aesthetic requirements.
【学位授予单位】：四川音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.11

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