论奇观电影的多维度快感

发布时间：2018-02-26 02:34

本文关键词： 奇观电影 “沉浸式”快感 “高峰体验” 后续快感审美体验　出处：《郑州大学》2017年硕士论文　论文类型：学位论文

【摘要】：相比传统叙事电影,奇观电影给观众带来了更让人深陷其中的视听体验,但也因此深受诟病。快感研究的局限性给奇观电影贴上了浅薄化、低级化的标签。本文从奇观电影所独有的“沉浸式”快感出发,结合观众观影前后的心理变化,试图以观影行为发生的整个过程和各进程之间状态的转换为切入点,着重阐释其快感的表现形式及其心理生成机制。论文共分为五个部分:第一部分为绪论。首先,在综合学术界对奇观电影的诸多定义的基础上,提出自己对该概念的界定。其次,概述国内外对奇观电影的研究现状。最后,以探究“奇观”与“快感”的本源关系为切入点,提出了本文的研究思路与方法及研究价值;第二部分为第一章,分析了“沉浸式”快感的多义性和多层次性,肯定了它是奇观电影所独有的快感表现形式。一方面,采用跨学科研究并结合具体案例的方法,分析了信息浸泡环境中的期待快感的累积:它是由“使用与满足”下的观影期待和“议程设置”下的动机诱发而逐层递进产生的;另一方面,从人的生理需求与影院环境这两方面出发,分析了“沉浸式”视听快感产生的生理因素与环境技术因素。第三部分为第二章,讨论了“观影中的高峰体验”。它首先来源于奇异故事追寻中的认知快感;其次,它源于角色参与的心理快感,即由视听刺激带来的注意的转换、自我的融入及欲望的视觉化等。最后,它也存在于集体之中,包括演职人员的焦虑释放和被放大的“支援”快感。第四部分为第三章,分析了奇观电影审美体验的后续快感。首先,论文分析了奇观刺激与崇高感之间的关系;其次,论文认为崇高痛感的卡塔西斯转化机制是由心理距离、自我防御机制、“第三人”的优越感等因素综合而成的;最后,论文认为奇观电影有其所特有的追忆想象的快感,它是由奇观画面引发的次级想象快感与更具优势的后电影产品的占有快感激发而成。最后一部分为结语,论文认为正是出于对快感的偏见以及单一性理解才导致了奇观电影快感研究的局限,所以应对奇观电影进行多维度、动态化的探讨与研究。
[Abstract]:Compared with traditional narrative films, spectacle films have brought audiences a more immersive audiovisual experience, but have also been criticized. Based on the unique "immersive" pleasure of the spectacle film and the psychological changes of the audience before and after watching the film, this paper attempts to take the whole process of the viewing behavior and the transition of the state between the various processes as the breakthrough point. The thesis is divided into five parts: the first part is the introduction. Firstly, on the basis of the definition of the spectacle film in the comprehensive academic circles, Secondly, it summarizes the current situation of domestic and international research on the spectacle film. Finally, the author puts forward the research ideas, methods and research value of this paper by exploring the original relationship between "wonder" and "pleasure". The second part is the first chapter, which analyzes the multiplicity and multi-level of "immersive" pleasure, and affirms that it is the unique form of pleasure in spectacle movies. On the one hand, it adopts the method of interdisciplinary research and concrete case study. This paper analyzes the accumulation of expectation and pleasure in information immersion environment: it is induced by the expectation of watching film under "use and satisfaction" and the motivation under "agenda setting"; on the other hand, This paper analyzes the physiological factors and environmental technical factors of "immersive" audio-visual pleasure from the aspects of human physiological needs and cinema environment. The third part is the second chapter. This paper discusses the "peak experience in viewing film". It first comes from the cognitive pleasure in the pursuit of strange stories; secondly, it comes from the psychological pleasure of role participation, that is, the shift of attention brought about by audiovisual stimulation. Finally, it also exists in the collective, including the release of the anxiety of the acting personnel and the magnified "support" pleasure. Part 4th is the third chapter. This paper analyzes the subsequent pleasure of aesthetic experience in spectacle movies. Firstly, the paper analyzes the relationship between wonder stimulation and sublime feeling, secondly, the paper thinks that the transformation mechanism of noble pain is from psychological distance. The self-defense mechanism, the superiority of the "third person" and other factors are combined. Finally, the paper argues that the spectacle film has its own unique pleasure of recalling the imagination. It is inspired by the secondary imaginative pleasure caused by the spectacle and the possessive pleasure of the more advantageous post-movie products. The last part is the conclusion. It is out of the prejudice of pleasure and the understanding of oneness that it is the limitation of the research on the thrill of spectacle film, so it is necessary to explore and study it in many dimensions and dynamically.
【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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