“小时代”情结：台湾新青春电影研究

发布时间：2018-04-01 03:39

本文选题：台湾青春电影　切入点：小时代　出处：《厦门大学》2014年硕士论文

【摘要】：回顾台湾电影的百年脉络,便可感受其积淀与魅力。自1949年《阿里山风云》开始,台湾电影才有了实质意义上的发展。历经“政宣片”、“健康写实电影”、“台语片”、“武侠片”、“三厅电影”、“新电影运动”和“后新电影”等多种阶段与类型,台湾电影有如长河一样流动而沉淀。青春电影作为台湾电影的代表性风貌,也经历了“学生电影”、“新电影运动”与“过渡与转型时期”三个阶段的成长。进入21世纪后,由《蓝色开门》等开启的青春电影风潮又有着完全不同于以往的风貌,因此称之为“新青春电影”。而《海角七号》、《艋胛》和《那些年,我们一起追的女孩》等青春影片不单在宝岛热映,也在大陆刮起一股讨论和观影的热潮。大陆近年也推出不少青春电影,如《致青春》和《小时代》等。尤其是《小时代》这部电影,引发了巨大的争议与讨论。其电影文本本身,也散发出诸多詹姆逊所言的后现代主义文化特征,而这些特征也体现在台湾的新青春电影之中。本文研究尝试总结了“小时代”一词的涵义,包含“个人私密青春”、“注重当下”和“与历史疏离”等特质,并结合詹姆逊后现代主义文化的几大特征,如“深度的消失”、“历史意识的消失”、“主体的消失”和“距离感的消失”等,进而使用一个新的概念——“小时代”情结。文章也主要从个人私密、无深度和时空断裂几个维度入手,细致剖析《艋胛》、《那些年,我们一起追的女孩》、《新鲁冰花》、《一页台北》与《河豚》等新青春电影文本,也针对新旧青春电影对比研究。文末探讨了新青春电影的时代背景和电影环境,也试着提出未来可以努力的创作新方向。
[Abstract]:Looking back at the century-old context of Taiwan's films, we can feel their accumulation and charm. Taiwan films have developed in a substantial sense. They have gone through various stages and types, such as "political propaganda film", "healthy realistic film", "Taiwanese language film", "martial arts film", "three chamber films", "new film movement" and "post-new film". Taiwan film flows and precipitates like a long river. As a representative style of Taiwan film, youth film has also experienced the growth of "student film", "new film movement" and "transition and transition period." after entering the 21st century, The trend of youth movies, which was initiated by "Blue Open door", is completely different from the past, so it is called "New Youth Film." and "Cape 7," "scapula", and "those years," The Girl we chased together is not only popular in Treasure Island, but also has a wave of discussion and film viewing in mainland China. In recent years, the mainland has also released a lot of youth films, such as "to Youth" and "small Times." in particular, the film "small Times" has aroused great controversy and discussion. It also exudes many postmodernist cultural features as Jameson calls them, which are also reflected in Taiwan's new youth films. This paper attempts to summarize the meaning of the word "small age", including the characteristics of "personal youth", "focus on the present" and "alienation from history", and combine with the characteristics of Jameson's postmodernist culture. Such as "the disappearance of depth", "the disappearance of historical consciousness", "the disappearance of subject" and "the disappearance of distance feeling", and so on, and then uses a new concept "small age" complex. Detailed analysis of "the blade", "the girl we chased together in those years", "New Lubing Flower", "one page of Taipei" and "the puffer porpoise" and other new youth film texts, At the end of the article, the author discusses the background and the film environment of the new youth film, and tries to put forward the new direction of creation in the future.
【学位授予单位】：厦门大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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