论邵氏《西游记》系列电影中女性形象的塑造

发布时间：2018-04-02 22:28

  本文选题：《西游记》　切入点：女性形象　出处：《厦门理工学院学报》2016年02期

【摘要】：作为20世纪60年代香港"西游记"题材电影的重要作品,由邵氏兄弟(香港)有限公司投资拍摄的《西游记》《铁扇公主》《盘丝洞》《女儿国》四部影片,通过原著女性形象反面色彩的强化、女性形象官能意味的含蓄性表述投射出深受传统文化影响的影片主创者对于女性"祸水"观的承袭,并折射出当时香港电影艺术家对于《西游记》这部古典小说名著的独特理解与影像诠释。这种电影创作实践,证明了古典名著的人物影像化重塑乃至整体改编只有实现艺术诉求与商业票房、忠实原著与改编创新的双向平衡,才能更好地普及古典名著,弘扬传统文化。
[Abstract]:As an important work of Hong Kong's "Journey to the West" film in the 1960s, "Journey to the West", "Princess Iron Fan" "Pan Silk Cave", made by Shaw Brothers (Hong Kong) Co., Ltd., has four films.Through the strengthening of the negative color of the original female image, the implicative expression of the female image's functional meaning projects the inheritance of the female "disaster water" view by the film creators deeply influenced by the traditional culture.It also reflects Hong Kong film artists' unique understanding and image interpretation of the classic novel Journey to the West.This kind of film creation practice has proved that the remolding and even the overall adaptation of classical masterpieces can better popularize classical masterpieces only by realizing the two-way balance between artistic appeal and commercial box office, faithful original work and adaptation innovation.Carry forward traditional culture.
【作者单位】： 山东师范大学文学院;
【分类号】：J905
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本文编号：1702415